CREATIVITY + INNOVATION Page 24 of 38

Lessons in weaving, lessons in life

 https://www.kawashima-textile-school.jp/e/

My time at Kawashima Textile School was much more than a lesson in weaving. I truly felt like it was a lesson in life. There were times when I actually swore out loud at my loom, having spent an hour happily weaving away and then noticing a mistake which meant I had to undo it all and start again. This was a regular occurrence throughout the day, and one morning I made about 1cm progress. There was a point when I was questioning whether it was really a good use of my time and I got really frustrated. I struggled to fathom how a ‘creative pursuit’ could be so prescriptive, with everything being black and white – you were either doing it right or you were doing it wrong. This is a whole world away from the teaching style of all the artists and designers I work with in Do What You Love, and I found it really tough.

But eventually I realised that sometimes we have to take instruction and learn the basics strictly and carefully in order to build the foundations for freedom of creativity later. If you don’t know how to weave evenly, how are you ever going to design and create a beautiful kimono? We need to know the rules in order to break the rules. It is so obvious, but it took a lot of huffing and puffing for me to realise this in the context of weaving.

I am not the world’s most patient person – I like to be doing stuff. But Kawashima was so good for me in that it made me slow down and take care with each detail. When I got into the rhythm of it I was almost in a trance – which opened up my mind for dreaming of other things.

The vocabulary was also a whole new world for me. I had never heard of ‘sericin’, ‘tussah’, ‘throstle yarn’, ‘dobby cloth’ or ‘heddles’ in English, never mind in Japanese. The 16-page (very helpful) vocab list made me feel like I was back at university! It was a great opportunity to learn lots of specialist textile terms, with the gentle support of my lovely bilingual teacher Emma Omote.

Some important lessons in weaving and life…

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More posts from school here: Preparing and dyeing the thread / Preparing giant bobbins / Preparing the warp

Getting paid to do what you love: Alison Yule & Brandy Walker share their stories

Getting paid to do what you love: Alison Yule & Brandy Walker share their stories DWYL BLOG SHAREDSTORIES 650X250PX LR

Today’s shared stories come from Alison Yule and Brandy Walker.

Alison Yule

Getting paid to do what you love: Alison Yule & Brandy Walker share their stories business portraits nottingham 2

I was 6 when I realised that fabric could be constructed – my sister, seven years older than me, came home from school with a small piece of hand woven fabric. From the moment my parents gave me my first loom (when I was eight) all I’ve wanted to do is weave.  I was lucky to go to the same school as my sister and obtained an “O” and “A” level in Craft, Design and Practice – Weaving. I didn’t got to Art College as I’d originally planned, but I did leave school with a 4 shaft table loom on which I wove fabric for myself, friends and family.

 Getting paid to do what you love: Alison Yule & Brandy Walker share their stories AYTEPanels550

Over the years I’ve had a number of different jobs, but weaving has always been there keeping me grounded. In 2002 I want to Bradford Collage, taking an HNC in Hand Woven Textile Design and when I graduated in 2004 I won two awards from Bradford Textile Society.  The awards gave me the impetus to set up my own business in designing and hand weaving bespoke fabrics for interiors and fashion.  A large part of the attraction of weaving is its sustainability, using mill ends, very little fuel and water – just for a little dyeing and the finishing process.

Weaving has been with me for such a long time, bound up with my life, as a hobby, as a profession, as a job.  When I’ve had difficulties in life, weaving has been what’s “glued” my life together, keeping me grounded so that problems could be sorted.  If I couldn’t weave my life would not be my life!  I’d lose the stabilising force that it’s become and would have to find something to replace its influence, but what I don’t know!

 Getting paid to do what you love: Alison Yule & Brandy Walker share their stories AYTEPileCushion550

In a nut shell “doing what I love” means happiness, fulfilment, making things with love, sharing what I love and enthusing others with it, being passionate about it and being the best I can be!

In 2009 a life changing event happened. My husband of nearly 25 years died and I soon realised that all my working life I’d been taking care of people – family, people in my keep-fit classes – and I suddenly felt I needed to take care of me.  This was going to be my time!  I enrolled on the Bradford course and haven’t looked back.  Occasionally I’ve wobbled – I felt I couldn’t go and seek out clients while my Mum was ill and needed my sister and I. I couldn’t go and seek out new clients while my youngest daughter was at school, etc.  Now I’ve no excuses. My daughter is an independent woman at university. I’ve found a new life partner, a new home in a new area and life is good!

Getting paid to do what you love: Alison Yule & Brandy Walker share their stories AYTEWpanelCloseUp550

I don’t regret anything in my life. It’s been full of weaving, spinning and dyeing, I’ve taught lots of people new skills that have opened their lives to new experiences. I’ve had high praise for my work and I’ve loved every minute of it!  My big plan?  To have work in permanent collections or in the home of someone famous!  Oh, and earn a little more money so that we can go on holiday!

[All images courtesy of Alison Yule.]

Find out more about Alison on her website here.

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Brandy Walker

Getting paid to do what you love: Alison Yule & Brandy Walker share their stories brandyglows

A couple of years ago, I had a tear-filled episode on my drive home from school. I felt God was calling me to be a pastor. This was before the other tear-filled moment where I realized that men and women are equal. So you can imagine the pickle I was in. How was I supposed to pastor a congregation if I wasn’t even a spiritual head in my own household?

Everything I learned about what it means to be a woman is socially constructed.

I didn’t know it at the time, but those two episodes would deeply shape who I am now and how I run my budding business. I don’t talk a lot about gender on my blog. I have used feminine pronouns in reference to God, siting that divinity is much larger than a gendered perspective and saying “she” instead of “he” wakes up my brain and reminds me of that.

In my writing, and in life, I talk a lot about the restoration of shalom on earth. Which makes people think I’m Jewish. A lovely thought, but I’m not. At the same time, I find it more and more difficult to call myself Christian. Not because I don’t believe in Jesus, he’s wonderful. But, Christianity is a loaded term. It’s become a kind of weapon, also loaded. And it gives me the runs.

I believe, like many other people, that the Christian religion has reached a crossroads, not unlike the Great Reformation of Martin Luther’s time. Some have called it the Great Emergence and there are many people, more wise than I who would be a better resource on that topic. For me personally, it’s relevant because if I hadn’t found out about it, I might have left the faith entirely. Also, it’s helped me re-frame the word pastor, for which a new definition is long overdue.

When you hear words like “pastor” or “Christian” or “sermon”, do you think “fresh”, “enlightened”, “open-minded and accepting”, “passionately loving toward people and the earth”? No? I want to help change that.

That’s what I love. And what I’m doing. With blog posts about placenta pills and dreaming big. With public speaking and spoken word. And with a new offering called Shalom Sessions where I help people dig into what they are passionate about and what comes easy to them and then sift through their gems to create a custom compass to guide them to the next right step.

Because your dreams will save you. And you will save the world.

Getting paid to do what you love: Alison Yule & Brandy Walker share their stories SavetheWorld

And that’s how I’m restoring shalom on my little plot of earth. By helping people realize and fulfill their dreams.

And my big dream? Besides getting paid to write and speak and guiding people into their big, vivacious dreams: A safehouse. For those who have survived human trafficking or abusive relationships or addictions or all three. My husband and I want to build a cafe that has cupcakes, fair trade coffee, and t-shirts on the menu with free wi-fi so that people can come and eat and read and play. And, part of the income from our shop will help to fund our safehouse.

But for now, I am more than content to write and speak, and offer Shalom to anyone wanting to explore what it means to fully live.

Today I conducted my first paid Shalom Session. Recounting how it went to my husband, my 10-year-old chimed in, “Oh wow, you just got paid to do what you love?”

Why, yes. Yes, I did.

[Images courtesy of Brandy Walker.]

Find out more about Brandy on her blog or connect on Facebook or Twitter @brandyglows

 

Kawashima Textile School part 5: Time for weaving!

weaving

And now it’s time to finally get weaving!

Kawashima Textile School part 5: Time for weaving! weave2

(oops – that’s a bit wonky!)

Kawashima Textile School part 5: Time for weaving! weave3

Kawashima Textile School part 5: Time for weaving! weave4

Kawashima Textile School part 5: Time for weaving! weave5

Kawashima Textile School part 5: Time for weaving! weave6

I learnt a whole host of different basic weaves – from twill and herringbone to satin and waffle (my favourite – above). By the end I had woven more than 3m of samplers (scarf or place mat anyone?)

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More posts from school here: Preparing and dyeing the thread / Preparing giant bobbins / Preparing the warp

Kawashima Textile School 4: Preparing the loom

Kawashima Textile School 4: Preparing the loom loom1

My (lovely and very patient) teacher Emma Omote demonstrates

Next up is the loom. You have to get the threads onto the loom itself. This involves pulling each individual thread through something that looks like a needle eye, and then a tiny hole in a giant metal comb. Repeat x 180! There is something akin to a zen meditation about this process…

Kawashima Textile School 4: Preparing the loom loom2

Kawashima Textile School 4: Preparing the loom loom3

Kawashima Textile School 4: Preparing the loom loom5

Kawashima Textile School 4: Preparing the loom loom6

Next up: time for weaving at last!!

More posts from school here: Preparing and dyeing the thread / Preparing giant bobbins / Preparing the warp

Kawashima Textile School 3: Preparing the warp

Kawashima Textile School 3: Preparing the warp warp1

(The next instalment from Kawashima Textile School…)

By Day 4 of school it is time to prepare the warp (and by now I am secretly wondering whether I actually get to do any weaving at all…!) I cannot believe how much preparation goes into this craft, and I will never look at a piece of fabric in the same way again. Respect to professional weavers!

Kawashima Textile School 3: Preparing the warp warp2

Kawashima Textile School 3: Preparing the warp warp3

Kawashima Textile School 3: Preparing the warp warp4

Kawashima Textile School 3: Preparing the warp warp5

Back soon, preparing the loom…

 (Earlier posts here: (1) Preparing and dyeing the thread, (2) Preparing the giant bobbins

Kawashima Textile School 2: Preparing giant bobbins

Bobbins

(Part 2 of my tales from Kawashima Textile School…)

Once all the threads have been dyed, they need to be put onto big wooden bobbin-type things. When I think of the word bobbin I think of the tiny metal thing that goes in my sewing machine – but these wooden bobbins (‘kiwaku’ in Japanese) are huge!

Kawashima Textile School 2: Preparing giant bobbins skein2

This stage is important in order to stop the threads getting tangled when you prepare the warp (coming up in the next post).

Kawashima Textile School 2: Preparing giant bobbins skein3

All these things I didn’t know I didn’t know…

Kawashima Textile School 2: Preparing giant bobbins skein4

Kawashima Textile School 2: Preparing giant bobbins skein5

Next time we get the warp ready…

Kawashima Textile School 1: Preparing and dyeing the thread

Kawashima Textile School 1: Preparing and dyeing the thread 1kts 1

For the past couple of weeks I have been studying weaving at Kawashima Textile School in the north of Kyoto. It was a wonderful, quiet reflective experience, where I was treated to one-to-one tuition. Over the next few days I will share a series of posts showing the process that I learnt.

Kawashima Textile School 1: Preparing and dyeing the thread 1kts 2

Kawashima Textile School 1: Preparing and dyeing the thread 1kts 3

I will begin with dyeing the thread… First I tried natural dyes, and loved going out into the school’s garden, picking biwa (loquat) leaves and using them to colour the wool. I also tried ‘yamamomo’ which translates as ‘mountain peach’.

Kawashima Textile School 1: Preparing and dyeing the thread biwa2

Kawashima Textile School 1: Preparing and dyeing the thread biwa1

Kawashima Textile School 1: Preparing and dyeing the thread biwa3

Kawashima Textile School 1: Preparing and dyeing the thread natural dyes

Depending on the metal-based ‘mordant’ used, a range of colours were possible. These (above) are the six colours I ended up with using natural dyes.  And then I tried chemical dyeing…

 Kawashima Textile School 1: Preparing and dyeing the thread 1kts 7

Weighing out the chemicals to get the exact colour mix I had chosen

Kawashima Textile School 1: Preparing and dyeing the thread dyes

Kawashima Textile School 1: Preparing and dyeing the thread 1kts 5

The lovely Hori-sensei, Master of Colour, shows me how to dye evenly

I also tried acid dyeing, which produced a more vivid palette.

Kawashima Textile School 1: Preparing and dyeing the thread 1kts 6

These are the threads I used for weaving during my time at school.

 Kawashima Textile School 1: Preparing and dyeing the thread 1kts 8

Kawashima Textile School 1: Preparing and dyeing the thread 1kts 9

Stay tuned for more in the coming days…

Photostyling

 Photostyling IMG 3218

When we decided to come out to Japan to spend a few months, I knew that one of the things I wanted to do was take some lessons in photography/styling. Out here they call it ‘photostyling’, and they even have a formal association for it.

I found a teacher here in Kyoto who lives out west, among a green expanse of paddy fields. Once a month I have to take a sweet little train for 20 minutes or so, away from the city, past a stunning gorge and out to the beginning of the countryside. I love the little adventure, and the prospect of learning more about my beloved camera (as well as learning how to take better photos of all that lovely stationery…) 

Photostyling IMG 3223

This month’s theme was flowers – and in an attempt to understand more about the different settings on my camera, I took a lot of shots of the same thing! It was interesting to see how the light and shadows changed between each image. Can’t wait to find out more…

Finding freedom: Cris Gladly and Veronica Funk share their stories

Finding freedom: Cris Gladly and Veronica Funk share their stories DWYL BLOG SHAREDSTORIES 650X250PX LR

Today’s shared stories come from Cris Gladly and Veronica Funk.

Cris Gladly

Finding freedom: Cris Gladly and Veronica Funk share their stories CrisGladly.photo

Once upon a time, not very long ago …

I was living a very different life.


It was a small life.


A lonely life.


I was a bird in a cage.

A million different stories begin like this.

Mine.
 Possibly yours.


So many great adventures seem to begin in dark places.”

­­­————-

This is how the story of Doing What I Love begins.

Why?

Because I have been afraid my entire life.


All of the time.

Of just about everything.


 Finding freedom: Cris Gladly and Veronica Funk share their stories woman in bird cage

Then, I woke up one morning (after 18 dark, disconnected years)

and decided: I’m tired of that!

So I kicked open the cage door of my old life,

and flew out on untried wings into a world entirely new.

 

And now my days are spent pushing past fear.

And doing this is “doing what I love”.

Not because it is easy or comfortable.

Oh my gosh, it is soooo NOT remotely either of those things.

 

But because it is honest.

And living an honest life is the only way to live that makes any sense to me.

 

So in this new world, I live into this honesty

by using my love affair with words to tell my story.

 

After years and years of calling myself “a writer” without actually writing,

I finally launched a blog, called Gladly Beyond,

where I share the story of  this newly unfolding journey.

 

The ups and downs of it.

What is beautiful and difficult about it.

It’s a story about what is real, for me.

The world as I see it through these brand new eyes of mine.

 

The process of sharing my Self in this way

has been powerfully transformative for me.

There was something about fully and unapologetically stepping into

the truth of my Self

that prompted all of the bullsh*t in my world

to simply crumble and fall away …

 

Projects that did not nourish me creatively … 

Connections that depleted my energy …

Relationships that did not honor me …

 

Just blew away on the wind.

No fighting. No fuss.

Just “bless you, but be gone.”

 

It’s scary some days.

It has been lonely.

But I am more authentically and loving tethered in my Self

then I have ever been before.

 

My happiness is honest.

My grief is honest.

And what I share of my Self with others is more deep and true.

 

I am my real Self now.

 

And this, I love!

 

Because when you give up trying to be your “best self”

and embrace being your “real self”

everything that is beautiful about you shines through.

 

There is an element of breathing room that manifests.

A breeze of possibility that blows in.

The sky itself expands for you.

 

And so now, what lies ahead, as my wings strengthen,

is even bolder and more playful exploration into that expanse.

As my business organically evolves and grows

I have taken on two new “fear” sub-projects under its wing.

 

The first is an unofficial research project exploring the attributes of true love,

called Solo MeThe second, which I am ridiculously excited + scared out of my mind about

is an exploration project about exploring the very world itself,

called The Terrified Traveler™.

 

And so the path ahead holds much the same as the path behind:

Pushing past fear.

Opening up and being honest.

And doing, as bravely as I am able, with heart wide-open, what I truly love.

Finding freedom: Cris Gladly and Veronica Funk share their stories gladlybeyond.image

[All images courtesy of Cris Gladly.]

Find out more about Cris on her website.

Veronica Funk

Finding freedom: Cris Gladly and Veronica Funk share their stories FUNK ART PHOTO

I’ve always felt ‘different’. During my school years this was a challenge. Academically I was doing just fine, physically (gym class) not so much. Though I got along well with others, I was skinny, small, shy and to top it all off, I received my first pair of glasses in sixth grade at a time when glasses were not fashionable at all.

But I was fortunate that, even though our northern school did not have an organized art program, the teachers incorporated art in as many ways as possible. They introduced us to a variety of professional artists with whom we had the pleasure of meeting – cartoonists, weavers, poets, photographers, and musicians.

Finding freedom: Cris Gladly and Veronica Funk share their stories Glow

In our language arts class, one area in which I actually excelled until I had to make a public presentation, we created maquettes of the theatres that were utilized during the time of Shakespeare, and we listened to the beauty of the words in the ballads of the Beatles and Bob Dylan. We were taught to stitch, bake and knit. And those of us who were interested in woodwork, leather and metal had the opportunity to learn to work with tools such as a lathe or an arc welder.

Our public library was also our school library with an attached community exhibition centre where we experienced art in all genres. It was in these spaces that I initially found my home.

Finding freedom: Cris Gladly and Veronica Funk share their stories Breathe

Hours disappeared as I was exposed to a great variety of art and craft, and to the kindness of the artists and artisans who created them. Then, in eleventh grade, we moved across the country. It was a challenge to move at that age, but because I was in a larger school, I was able to study drafting, fashion design and ultimately fine art. I began the formal study of line, composition and colour, and was introduced to a great variety of media including clay, printmaking, ink, and paint. I was finally in my element.

As I grew up I was often told that I would not be able to make a living as an artist and as a ‘growing-up’ I have learned otherwise.  Originally I followed the direction of others at a huge financial and spiritual cost to me but I have realized that each one of us needs to create our own path by doing those things we love.

Finding freedom: Cris Gladly and Veronica Funk share their stories Familiar

For me, it is in painting and exhibiting my work, in writing and sharing my words, and in encouraging and supporting other artists as a Curator in my local public library and as a Director on a Board that supports the growth of the arts in my community.

I have learned that others respond to the passion of my heart and support me in this journey as long as I remain authentic and true to the core of my being.  I am still growing and learning to trust my voice in this journey.  I am learning to surrender myself to stillness so that I can be open to opportunities that lie ahead and that excites me.

[Images courtesy of Veronica Funk.]

To find out more about Veronica visit her website.

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Finding freedom: Cris Gladly and Veronica Funk share their stories

Want to get closer to doing what you love? Why not join the transformational Do What You Love e-course, to identify your passion and make it a greater part of your everyday life? Class bustards soon. Find out more and register here.

Eye candy

Eye candy tilda1

The Japan Hobby Show was crazy. Literally thousands of craft lovers in one place, oohing and ahhing over buttons and ribbons, fawning over fabric, patiently queueing up for workshops.

And I was one of them!

Eye candy tilda2

I went to get some inspiration for The Art and Business of Surface Pattern Design, and snapped some gorgeous eye candy – the images above and below are from my favourite stand from Scandinavian design company Tilda.

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Now if this doesn’t make you want to stitch up an apron or cushion I don’t know what will!

Eye candy tilda4

I took a little workshop from Japanese collage artist and illustrator Yoko Inoue. Her work is really beautiful – she uses photos she takes herself, shrinks them down on a colour photocopier, then works them into gorgeous collages in muted colours.

Eye candy coll

In less than an hour there wasn’t much time to get into it, but it was fun to have a play around with all the free supplies! I used a couple of postcards of Lily Greenwood’s art in mine.

For the latest information about the Japan Hobby Show click HERE.

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Eye candy

I’m on a big adventure in Japan right now. If you fancy an adventure of your own why not join me for the Do What You Love e-course? Shake things up, expand your comfort zone, nurture your playful spirit and feed your creative soul. Identify your passion and make it a greater part of your every day life! Find out more and register here. But hurry, class starts soon!