do what you love Page 56 of 81

Taking time to stand still

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We are here in Kyoto for six months. A long time. A short time. Depends on your perspective. It’s an interesting amount of time, because it is long enough to get familiar and settle into routines, but short enough to want to make the most of every moment.

We have a big monthly calendar posted on our kitchen wall and I just noticed that as of this week we are half way through our trip. This set me off on a flurry of planning how to squeeze in all the things we want to do, places we want to go and people we want to see before we have to go home (right at the bottom of the last page of that wall chart).  The white spaces are quickly filling, but I am trying hard to preserve some of them with nothing written on them, for it is often these moments of nothing in the diary that lead to unexpected discoveries, relaxed happy days in the sun, improptu trips and all sorts of fun.

Kyoto is good for me. It has made me slow down, reflect, soak up the beauty around, head out somewhere new almost every single day. Look up, look down, look around. Look inside. Take time to stand still.

The ideas I pushed away before we headed out here (because I was so crazily busy) have been invited in, and are currently washing around in my head. Now is not the time for filtering, that will come later. Now is the time for letting them all flow forward, and seeing what emerges. And there is no better place to do it than here, on an adventure, with the luxury of time…

Photostyling

Photostyling

My monthly photostyling sessions are like a marker in my calendar for my time in Kyoto. Six months. Six lessons. And it’s time for lesson three already.

Last month’s theme was Spring (above and below). My teacher inspired me to buy a new lens for my camera and it has made a huge difference.

The tricky thing with photostyling is that you need props, which would be fine at home with my studio full of interesting things, but more difficult here with a minimum amount of ‘stuff’. I guess that means I just have to be inventive, and look to nature (and supermarket packaging!)

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Picnic time

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Sunny days are made for picnics, and no-one makes a packed lunch quite like the Japanese! (Check this video out to see what I mean!) I have never seen such a variety of lunchboxes – fabulous products for surface pattern design (you can tell polka dots are big in Japan this year!) Here are some I found in Loft Kyoto.

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The Kyoto Botanical Gardens is a perfect place to chill out in the sun, as well as shake up the routine. We have been experimenting with lots of picnic goodies from the supermarket. No cucumber sandwiches here – delicious fried noodles and weird vegetables instead…

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When was the last time you took a picnic outside? What’s your favourite picnic food?

Treasured words

pattern

Digitally manipulated ‘Painterly’ by Ange Yake

Recently Rachael Taylor and I wrapped up Module 3 of The Art and Business of Surface Pattern Design, and celebrated with our first cohort of graduates! We are so proud of them all – as they go out into the world of professional design, we have already celebrated licensing deals, features in books, launches of new studios, exhibitions at top trade shows and top prizes in national design competitions. We cannot wait to see what is next for them!

Perhaps even more importantly, we have seen the impact it has had on people’s lives. Here are some of the testimonials our class have shared:

“Life changing and inspiring. This course should be included in the 5 year plan of anyone who is interested in a career in Surface Pattern Design!”

“This course teaches you what is really important to become a surface pattern designer. It provides the overview you don’t have as a beginner, full of incredible insider tips and fun exercises, that keep you going. If you only manage to do a third of its content, it’ll change your life!”

“It’s a course that gave me all the information and inspiration I need to make my dreams come true. Now it only depends on me!”

“Amazing! Life-changing and addictive.”

“If you’ve always wondered how to get your art and designs on home goods, wallpaper, clothing, etc, this is the course that helps you achieve this dream.”

“Yesterday I said to friend: “This was the best thing I have done in years”.”

“It is intense and very exciting, inspiring and stimulating.”

“You poured yourselves into this. Every thought and consideration was made. The course was full of personality and passion and I can’t believe how much Rachael shared. It was beautifully designed, communicated really well, and really well managed. I really couldn’t have made the life change that I have (given up my job! yikes) to follow my heart. This course has given me knowledge and confidence to get going. “

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Cute patterned motifs in ‘Frutti Collection’ by Wendy Kendall

“This course has blown my mind! I feel like I can take ownership of my own destiny. No one has ever said to me that I have a right to do this before! I have had some negative influences so I think that the positive energy that Rachael radiates and the way that the course is structured is the best part. I don’t have the words but above all this course is a bargain!! Nothing is missing…it’s perfect. It’s challenging enough to make you think and deal with stuff you would rather put aside (eg legal, finance, being pro-active, networking) and inspirational to get you creatively motivated. “

“The Art and Business of Surface Pattern design course has changed my life. It has provided me the opportunity to go after a long time dream. I have always been surrounded by design in my professional career but never formally trained. Now, I feel this course has provided me the necessary skills and opportunities to make my dream a reality. Rachel and Beth, thank you so much for creating an amazing course.”

“This course helped me gain confidence, as an artist and a person I am very shy and have had many moments of doubting myself in the past. Sharing my work with other creative, kind and encouraging people helped me realize that I do have what it takes as long as I assert myself. If you are shy like myself I say take this course ! It has helped me so much, Rachael and Beth you really have created something very special. I am fully committed to working towards my dream and thanks to this course I am one step closer. “

“It’s full of vital information and a very strong support group. It’s a vital course to help give new surface pattern designers and ones that want to set up business the confidence to just go for it.”

Treasured words Dee McConville
Bold ‘Art Deco’ from Dee McConville

“Inspiring, full of detail and dedication, total value for money.”

“This is an INtense, INdepth, INspiring and FUN course about surface pattern design! Get IN! Not only is the coursework great but there are many opportunities to take advantage of that could open doors for you.”

“It has provided me with a structure to beginning my life as a freelance designer and going back to the basics of creating. It is so important to do all 3 modules if you can, because it gives you a real sense of community and support along with great advice and resources, links and things that I would never had found on my own. It’s a special journey designing your own way…but even more special to share!”

“Not only business facts, but an amazing insight into the industry, encouragement to seek out which path is right for you and the support you need to actually make it happen.

“Life changing! Content-rich, insightful and inspiring. Not just a course but a place to make friends.

Treasured words Rachael Bright

Layered ‘Blooming Day’ from Rachael Bright

“I just can’t thank you both enough for making this wonderful course happen. I wish there were another 3 modules. I would sign up now! It has been the best decision I ever made, completely invaluable to the start my business.”

“I honestly don’t think I could have made so much progress in a year had it not been for this course and the framework it provided me to get back into doing what I love. There are so many good things about it; it is so accessible – there is no snobbery; everyone is encouraged and nurtured no matter what stage they are at. There is so much invaluable information and insight, so many tips, realistic briefs and amazing live briefs and other opportunities.”

“I know several people who are unable to study surface pattern design at degree level because of financial and practical reasons. This course would definitely be an alternative route for them.”

“Being a self taught printer and homeware designer, the modules have given me the technical background and creative permission to believe in my potential and my future in this field. Thank you so much Rachael and Beth for showing us how to do what we love for life!”

“WAAAAAHHH. It’s over! I think the fact that you helped get our names out in the real world is an amazing aspect that I never anticipated. “

“This course should be added to every art degree syllabus!

“This course is the best thing that happened to me for years!!! I love the incredibly supportive, positive and motivating creative atmosphere! This is so rare. Thanks so much for your hard work behind the scenes and for sharing your knowledge with us. I’m on a mission to make this world more happy and beautiful now! “

“Thank you for being so thoughtful in every aspect. As I’m Brazilian, I found the audio transcripts really helpful! Thank you, you’re helping me to change my life for the better!

“I can only say how grateful I am for all the educational material, the links, the insights, the energy and the love I felt through the whole course. “

“LOVED IT!! The course has empowered me to start my own business and makes me excited about what the future holds. “

***

If you want to join us for the next module (Module 2 Creating your professional identity) you’d better be quick! Find out more and register here.

Silkworm encounter

Silkworm cocoon

Me holding a silkworm cocoon (image: Emma Omote)

During my time at Kawashima Textile School I was lucky enough to join a demonstration with silk artist Mayumi Terakawa. Not only did she share an insight into her process, and let us touch her delicate works, but she also showed us how to get silk from the cocoons of silkworms.

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Finding the first thread from each cocoon with silk artist Mayumi Terakawa (image: Emma Omote)

It was completely fascinating. I am rather embarrassed to say that  it had never really crossed my mind what happens to the silkworms themselves. I soon found out… and was rather freaked out to find the silkworms reveal themselves when the cocoon had been spun out into a reel of silk.

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Reeling the silk (image: Emma Omote)

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A staggering 4000 cocoons are needed to make one kimono – and in order to spin those cocoons, the silkworms inside need 400kg of mulberry leaves to munch away on! Silk is a dying industry in Japan, and now only 1% of kimono silk is homegrown, simply because demand massively outweighs supply. The remaining silk producers in this country have an average age of 75 and young people don’t seem interested in the labour intensive work involved. Who knows what will become of this tradition in the coming years?

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Several threads are reeled at once from the cocoons in the basin. One silk thread is three denier. (image: Emma Omote)

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Doing this really made me appreciate the value of silk (good work all you silk worms!), and made me realise why people really treasure silk kimonos. It also made me appreciate just how much work goes into Mayumi Terakawa’s stunning art works – she retrieves the silk herself, spins it and then weaves it to her design.

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Raw silk hand-dyed by Mayumi Terakawa (above) and samples of her gorgeous textile works (below)

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Other Kawashima textile school posts here: Preparing and dyeing the thread / Preparing giant bobbins / Preparing the warp / Preparing the loom / Time for weaving! / Lessons in weaving, lessons in life / Colour magic /  Silkworm encounter

Colour magic

 Colour - Kawashima Textile School

One of my favourite things about Kawashima Textile School was being surrounded by colour and texture – on the walls, on the desks (works in progress of other students), in the teachers’ rooms… esepecially the rows and rows of silk threads lining the shelves. A colour feast for the eyes… (and perfect for testing out wedding colour palettes!)

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More posts from school here: Preparing and dyeing the thread / Preparing giant bobbins / Preparing the warp / Preparing the loom / Time for weaving! / Lessons in weaving, lessons in life / Silkworm encounter

Lessons in weaving, lessons in life

 https://www.kawashima-textile-school.jp/e/

My time at Kawashima Textile School was much more than a lesson in weaving. I truly felt like it was a lesson in life. There were times when I actually swore out loud at my loom, having spent an hour happily weaving away and then noticing a mistake which meant I had to undo it all and start again. This was a regular occurrence throughout the day, and one morning I made about 1cm progress. There was a point when I was questioning whether it was really a good use of my time and I got really frustrated. I struggled to fathom how a ‘creative pursuit’ could be so prescriptive, with everything being black and white – you were either doing it right or you were doing it wrong. This is a whole world away from the teaching style of all the artists and designers I work with in Do What You Love, and I found it really tough.

But eventually I realised that sometimes we have to take instruction and learn the basics strictly and carefully in order to build the foundations for freedom of creativity later. If you don’t know how to weave evenly, how are you ever going to design and create a beautiful kimono? We need to know the rules in order to break the rules. It is so obvious, but it took a lot of huffing and puffing for me to realise this in the context of weaving.

I am not the world’s most patient person – I like to be doing stuff. But Kawashima was so good for me in that it made me slow down and take care with each detail. When I got into the rhythm of it I was almost in a trance – which opened up my mind for dreaming of other things.

The vocabulary was also a whole new world for me. I had never heard of ‘sericin’, ‘tussah’, ‘throstle yarn’, ‘dobby cloth’ or ‘heddles’ in English, never mind in Japanese. The 16-page (very helpful) vocab list made me feel like I was back at university! It was a great opportunity to learn lots of specialist textile terms, with the gentle support of my lovely bilingual teacher Emma Omote.

Some important lessons in weaving and life…

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More posts from school here: Preparing and dyeing the thread / Preparing giant bobbins / Preparing the warp

Getting paid to do what you love: Alison Yule & Brandy Walker share their stories

Getting paid to do what you love: Alison Yule & Brandy Walker share their stories DWYL BLOG SHAREDSTORIES 650X250PX LR

Today’s shared stories come from Alison Yule and Brandy Walker.

Alison Yule

Getting paid to do what you love: Alison Yule & Brandy Walker share their stories business portraits nottingham 2

I was 6 when I realised that fabric could be constructed – my sister, seven years older than me, came home from school with a small piece of hand woven fabric. From the moment my parents gave me my first loom (when I was eight) all I’ve wanted to do is weave.  I was lucky to go to the same school as my sister and obtained an “O” and “A” level in Craft, Design and Practice – Weaving. I didn’t got to Art College as I’d originally planned, but I did leave school with a 4 shaft table loom on which I wove fabric for myself, friends and family.

 Getting paid to do what you love: Alison Yule & Brandy Walker share their stories AYTEPanels550

Over the years I’ve had a number of different jobs, but weaving has always been there keeping me grounded. In 2002 I want to Bradford Collage, taking an HNC in Hand Woven Textile Design and when I graduated in 2004 I won two awards from Bradford Textile Society.  The awards gave me the impetus to set up my own business in designing and hand weaving bespoke fabrics for interiors and fashion.  A large part of the attraction of weaving is its sustainability, using mill ends, very little fuel and water – just for a little dyeing and the finishing process.

Weaving has been with me for such a long time, bound up with my life, as a hobby, as a profession, as a job.  When I’ve had difficulties in life, weaving has been what’s “glued” my life together, keeping me grounded so that problems could be sorted.  If I couldn’t weave my life would not be my life!  I’d lose the stabilising force that it’s become and would have to find something to replace its influence, but what I don’t know!

 Getting paid to do what you love: Alison Yule & Brandy Walker share their stories AYTEPileCushion550

In a nut shell “doing what I love” means happiness, fulfilment, making things with love, sharing what I love and enthusing others with it, being passionate about it and being the best I can be!

In 2009 a life changing event happened. My husband of nearly 25 years died and I soon realised that all my working life I’d been taking care of people – family, people in my keep-fit classes – and I suddenly felt I needed to take care of me.  This was going to be my time!  I enrolled on the Bradford course and haven’t looked back.  Occasionally I’ve wobbled – I felt I couldn’t go and seek out clients while my Mum was ill and needed my sister and I. I couldn’t go and seek out new clients while my youngest daughter was at school, etc.  Now I’ve no excuses. My daughter is an independent woman at university. I’ve found a new life partner, a new home in a new area and life is good!

Getting paid to do what you love: Alison Yule & Brandy Walker share their stories AYTEWpanelCloseUp550

I don’t regret anything in my life. It’s been full of weaving, spinning and dyeing, I’ve taught lots of people new skills that have opened their lives to new experiences. I’ve had high praise for my work and I’ve loved every minute of it!  My big plan?  To have work in permanent collections or in the home of someone famous!  Oh, and earn a little more money so that we can go on holiday!

[All images courtesy of Alison Yule.]

Find out more about Alison on her website here.

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Brandy Walker

Getting paid to do what you love: Alison Yule & Brandy Walker share their stories brandyglows

A couple of years ago, I had a tear-filled episode on my drive home from school. I felt God was calling me to be a pastor. This was before the other tear-filled moment where I realized that men and women are equal. So you can imagine the pickle I was in. How was I supposed to pastor a congregation if I wasn’t even a spiritual head in my own household?

Everything I learned about what it means to be a woman is socially constructed.

I didn’t know it at the time, but those two episodes would deeply shape who I am now and how I run my budding business. I don’t talk a lot about gender on my blog. I have used feminine pronouns in reference to God, siting that divinity is much larger than a gendered perspective and saying “she” instead of “he” wakes up my brain and reminds me of that.

In my writing, and in life, I talk a lot about the restoration of shalom on earth. Which makes people think I’m Jewish. A lovely thought, but I’m not. At the same time, I find it more and more difficult to call myself Christian. Not because I don’t believe in Jesus, he’s wonderful. But, Christianity is a loaded term. It’s become a kind of weapon, also loaded. And it gives me the runs.

I believe, like many other people, that the Christian religion has reached a crossroads, not unlike the Great Reformation of Martin Luther’s time. Some have called it the Great Emergence and there are many people, more wise than I who would be a better resource on that topic. For me personally, it’s relevant because if I hadn’t found out about it, I might have left the faith entirely. Also, it’s helped me re-frame the word pastor, for which a new definition is long overdue.

When you hear words like “pastor” or “Christian” or “sermon”, do you think “fresh”, “enlightened”, “open-minded and accepting”, “passionately loving toward people and the earth”? No? I want to help change that.

That’s what I love. And what I’m doing. With blog posts about placenta pills and dreaming big. With public speaking and spoken word. And with a new offering called Shalom Sessions where I help people dig into what they are passionate about and what comes easy to them and then sift through their gems to create a custom compass to guide them to the next right step.

Because your dreams will save you. And you will save the world.

Getting paid to do what you love: Alison Yule & Brandy Walker share their stories SavetheWorld

And that’s how I’m restoring shalom on my little plot of earth. By helping people realize and fulfill their dreams.

And my big dream? Besides getting paid to write and speak and guiding people into their big, vivacious dreams: A safehouse. For those who have survived human trafficking or abusive relationships or addictions or all three. My husband and I want to build a cafe that has cupcakes, fair trade coffee, and t-shirts on the menu with free wi-fi so that people can come and eat and read and play. And, part of the income from our shop will help to fund our safehouse.

But for now, I am more than content to write and speak, and offer Shalom to anyone wanting to explore what it means to fully live.

Today I conducted my first paid Shalom Session. Recounting how it went to my husband, my 10-year-old chimed in, “Oh wow, you just got paid to do what you love?”

Why, yes. Yes, I did.

[Images courtesy of Brandy Walker.]

Find out more about Brandy on her blog or connect on Facebook or Twitter @brandyglows

 

Kawashima Textile School part 5: Time for weaving!

weaving

And now it’s time to finally get weaving!

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(oops – that’s a bit wonky!)

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I learnt a whole host of different basic weaves – from twill and herringbone to satin and waffle (my favourite – above). By the end I had woven more than 3m of samplers (scarf or place mat anyone?)

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More posts from school here: Preparing and dyeing the thread / Preparing giant bobbins / Preparing the warp

The school run

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My trusty bicycle, which comes everywhere with me these days

As you will know if you have been reading this blog lately, I recently spent a couple of weeks studying at Kawashima Textile School. This meant a daily routine of cycling to the station, taking a sweet little train north out of the city, then walking through the quiet streets of Ichihara to school. Despite the early hour, the journey itself was a lovely part of the day, and I thought I would share it with you…

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Past lovely little coffee shop ‘Amuca’

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Greeting other early birds 

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Through this lovely temple complex

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Past sweet houses

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Along the riverbank

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Calling out ‘Ohio gozaimasu’ (‘good morning’) to joggers…

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…and to musicians in training who prefer the riverside to their paper-thin walled apartments

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To the ingenius bike park at Demachiyangi Station (I think they could do with one of these in cities like Oxford!)

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Just in time for my train 

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This rural station at Ichihara is my stop 

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Past freshly-planted paddy fields 

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And to school, just before the bell rings (yes there is a school bell!) 

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I change into my slippers(!) and then head off to class… 

More posts from school here: Preparing and dyeing the thread / Preparing giant bobbins / Preparing the warp