CREATIVITY + INNOVATION Page 25 of 38

Gotenzeki

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It is really hard to put your finger on just what it is that Japanese people do that makes everything so beautiful, but there is definitely something. They have this aesthetic sense which I have never seen anywhere else in the world – simple, perfectly imperfect (see ‘wabi sabi’), treating space and shadows with as much respect as objects and light. Look at the photo above, taken in this lovely shop at Gotenzeki – a cluster of beautiful shops and cafes just of the main street in Yamagata City.. Someone has just put some berries on a stick next to a teapot, but somehow it is a work of art!

And the buildings at Gotenzeki below – so serene yet cool at the same time. I know I will come back to this time and again while here, but this gorgeous little arcade of shops and cafes (designed by Yamagata-born sports car designer Ken Okuyama) really got me thinking…

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 The coolest drainpipe I have ever seen

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Gotenzeki

I am currently on a big adventure in Japan. If you fancy an adventure of your own, why not join me for the Do What You Love e-course (Japan edition!). Find out more and register here.

Pattern course contributor spotlight: Helen Stevens

Pattern course contributor spotlight: Helen Stevens Surface+Philia+web+550

Just look at this work – isn’t it beautiful? British designer Helen Stevens is the talented surface pattern designer and illustrator behind the Surfacephilia brand.

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Helen works through layering of illustration, collage and paintings with a unusual combination of geometrics and natural forms. We are thrilled that Surfacephilia is one of our fantastic contributors for the Surface Pattern Design E-course.

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Surfacephilia has recently launched a new wallpaper collection and will be selling in Liberty’s of London.  Helen’s designs have an uber cool edge with a level of beautiful detailed sophistication.

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You can visit the Surfacephilia website HERE and connect on Facebook and follow on Twitter@surfacephilia.

Pattern course contributor spotlight: Helen Stevens Savoy+SPhilia+web+550

Surface pattern designer highlight: Sian Elin

Surface pattern designer highlight: Sian Elin sianelin

As the second designer in this series highlighting talent from The Art and Business of Surface Pattern Design e-course, I am excited to introduce you to Sian Elin. Sian is a fun, creative surface pattern designer and illustrator, who has “spent a lifetime seeing the world through pattern and colour; and observing how shape and form interact.’

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There is a simple, naive beauty to her work that is so charming, and she clearly knows what she’s doing with a pen! To find out more about the designer or to see more work, check out her website.

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We are pleased to announce that we are running a second series of the e-course! Join us and dive into the exciting world of surface pattern design! Find out more and register here.

Sharing the gifts of process painting: Stephanie Gray shares her story

Sharing the gifts of process painting: Stephanie Gray shares her story DWYL BLOG SHAREDSTORIES 650X250PX LR

Today’s shared story comes from Stephanie Gray, co-owner of Creative Nectar Studio – a safe haven for self-discovery.

Sharing the gifts of process painting: Stephanie Gray shares her story StephanieWithPainting

I am finally doing it! I am living the life of my dreams by co-owning Creative Nectar Studio and sharing the gifts of process painting with those who are seeking greater authenticity.

It all began in 1998 when I attended my first process painting workshop with Sarah Oblinger. (Process painting means painting from the inside out. The idea is not to produce an end product that will hang on your wall, but to full engage in the creative process and honor howit wants to appear on the paper.) I was nervous about going because even though the description of the workshop clearly stated “no experience necessary”. I was still scared to look foolish. I had never taken an art class of any kind and I was sure my painting would be the worst. But something was stirred deep inside me at the possibility of it all. I had to try. Something shifted for me during that weekend workshop. The process had already begun working on me in very subtle ways.

Sharing the gifts of process painting: Stephanie Gray shares her story PaintingDetail

There was something about the combination of Sarah’s soothing yet powerful questions she would ask when I became stuck in my painting and the magic of the creative process, that stayed with me weeks after I had left the workshop. I guess I really knew then that the process work would be with me for the rest of my life.

In less than a year I was helping Sarah with the studio prep work for her weekly classes and in turn I was able to paint at an affordable rate. Shortly after that a studio was built in the basement of my house and Sarah was holding weekly classes there. I discovered painting 2 to 3 times a week was knocking things loose for me and I was on my way to really getting to know myself. I also realized painting was providing me powerful tools I could take into my life away from painting. Although the studio in my basement was only open for a year, it was during that time.

Sharing the gifts of process painting: Stephanie Gray shares her story JennyAndStephanie

I met my now business partner Jenny Hahn. She had been painting in the classes and her journey was knocking things loose for her too. She was unlearning what she was taught in art school and discovering how it felt to be spontaneous within the creative process.

Because the painting was in fact transforming me and the way I wanted to live my life, I ended up moving to California and sadly leaving the studio behind. I stayed in California a year but had to return home to Mission Kansas because it was becoming clear my father was very ill. That was the beginning of a very dark time for me. Within a 6 year period I lost my father to cancer, my mother was diagnosed with Alzheimer’s disease and in the middle of helping care for her my fiance left me. I was lost. Painting had fallen away because I was taking care of my mother, working full time and grieving the loss of my father and my partner. It seemed I didn’t have time to do anything else.

But at some point it became too much for me and I knew the thing that would help me most was to paint. Luckily, Jenny had a studio in her attic and she was offering classes. It was wonderful to reconnect with her and to paint with others again. I worked through my grief with paint and because we didn’t comment on each other’s paintings during a workshop, I felt free to paint whatever wanted to appear. Some images were sad and some were really dark but having the freedom to express them in a safe environment allowed things to shift over time and I painted through the grief. Jenny and I decided to facilitate a few Saturday workshops together in her attic and I think it was then that we started realizing how powerful this work was and that we needed to share it with as many people as possible.

Sharing the gifts of process painting: Stephanie Gray shares her story WorkshopOverview

Things didn’t happen overnight. We both had fulltime jobs and I still had a mother that needed lots of care. But 4 years and more life challenges later, we were both ready to take the leap of faith and do whatever it took to make the dream we had for Creative Nectar Studio a reality. Once I knew what I was supposed to do with my life, the old ways of being and moving through the world no longer worked for me, So I quit my job of almost 10 years. It helped that Jenny had done the same only a few months before me. I had a retirement fund I cashed in and , although i was very scared, I felt alive for perhaps the first time in my life. It’s been a year now that the studio has been open. Things are really starting to happen and although it can still get a bit scary at times, I know this is exactly what I am supposed to be doing with my life. Now days you can catch me telling anyone who will listen that if you have something inside you begging to be born and know it will set your heart on fire, you must do it. I have been supported in ways I could not have imagined after taking that first step. There can be challenges along the way. You must be prepared for some things and relationships to fall away as you grow into who you always knew you could be. But, the payoff of expressing your true self in the world is far too big to ignore.

“When you are inspired by some great purpose, some extraordinary project, all your thoughts break their bonds: Your mind transcends limitations, your consciousness expands in every direction, and you find yourself in a new, great, and wonderful world. Dormant forces, faculties and talents become alive, and your discover yourself to be a greater person by far than you ever dreamed yourself to be.” – Patanjali

To find out more about Stephanie visit her website or connect on Facebook or via Twitter @Creative_Nectar.

[Images courtesy of Stephanie Gray]

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Sharing the gifts of process painting: Stephanie Gray shares her story

Want to get closer to doing what you love? Why not join the transformational Do What You Love e-course, to identify your passion and make it a greater part of your everyday life? Find out more and register here.

Pattern course student selected for new children’s design book!

Pattern course student selected for new children's design book! print and pattern kids book call for entries balloons by inkjet designs 1

We are thrilled to announce that one of our talented e-course students has been selected for the highly anticipated ‘Print & Pattern Kids’ book. A huge congratulations goes to Susan Lloyd!

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We think Susan’s work is beautiful, contemporary & fresh.  Rachael and I are like proud mamas!

Pattern course student selected for new children's design book! graphic flower blog

Susan says, “I studied printed Textile Design at Loughborough University. After graduation I lived and worked in New York designing prints for the fashion, home and stationery markets, selling designs internationally.”

Pattern course student selected for new children's design book! tulips blog

“I have exhibited at various trade fairs including Surtex, Printsource and Indigo.”

Pattern course student selected for new children's design book! fushion blog

“I find inspiration in everything from fashion to nature to mid century design, vintage textiles and contemporary Illustration. I love to hand draw all the elements for my designs first before enhancing them within Photoshop and Illustrator.”

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I have a wishlist of companies I would love to collaborate with. I am currently building new ranges for my portfolio and building a brand new website for showcasing my designs”.

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Susan now designs prints under the studio name ‘The Print Tree’, if you would like to get in touch with Susan you can email her at: [email protected]. You can also follow Susan on twitter @theprinttree.

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Pattern course student selected for new children's design book! birdy case blog

Images courtesy of ‘The Print Tree’ – a varied selection from Susan’s portfolio.
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Pattern course student selected for new children's design book! the print tree banner blog
If you to know more about The Art & Business of Surface Pattern Design (the e-course) you can view the website here.

Surface pattern designer highlight: Bonnie Christine


Bonnie Christine - image via Going Home to RoostBonnie Christine (Image via Going Home to Roost)

Over the next few weeks and months I am going to share highlights of particular designers emerging from The Art and Business of Surface Pattern Design course. Rachael Taylor and I have been absolutely thrilled by the quality of work, and are excited to see the class participants’ design careers unfold.

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For the first in this series, I am thrilled to share the gorgeous work of Bonnie Christine. Bonnie’s work is fun, fresh, stunningly girly, and completely unique and personal to her.

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Bonnie says, “I love to weave parts of my life into each pattern, with each one you see you will have seen a little piece of my life and heart. There’s something so meaningful in the way we decide to color our worlds.”

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So inspiring! If you want to see more of her work you can check out her beautifully designed website or her stunning and quirky blog!

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Inspired? Why not join us for The Art and Business of Surface Pattern Design!

Class begins very soon… find out more and register here

Ian Dutton announced as a contributor to surface pattern design course!

 Ian Dutton announced as a contributor to surface pattern design course! IanDuttonAnniversary 550

We are thrilled to annouce that UK-based designer and illustrator Ian Dutton will be joining us as a contributor for Module 3 of The Art and Business of Surface Design (starts Monday!), where he will share an exclusive insight into life as a freelancer. His company ‘Ian Dutton Designs’ creates character designs, character licenses and surface pattern design for the greetings, fashion and textile industries. Ian’s client list includes Boots, Hallmark, Mamas & Papas, Marks & Spencer, Next, Sainsbury’s and Tesco’s.

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Ian’s designs come in a variety of repeats, stripes and placements with a delightful number of colours. Although most of his designs are mainly for the younger consumers, there are a few for the older, mature consumers. You can follow Ian on Twitter @ian_dutton.

Take a look at some of his fab fun designs…

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Ian Dutton announced as a contributor to surface pattern design course! IanDuttonBirthdaySon 550

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Module 3 begins on Monday and we cannot wait to see what gorgeousness emerges from that! If you want to learn how to monetise your designs, join us! We are also thrilled to be offering the full course for a second series starting with Module 1 on April 23rd, click here to register!

<FOR MORE UP TO DATE INFORMATION ABOUT COURSE DATES CLICK HERE>

Bringing big creative dreams to life: Stephanie Guimond & Julia Dolowicz Harvey share their stories

Bringing big creative dreams to life: Stephanie Guimond & Julia Dolowicz Harvey share their stories DWYL BLOG SHAREDSTORIES 650X250PX LR

Today’s shared stories come from Stephanie Guimond in Canada and Julia Dolowicz Harvey in England.

Stephanie Guimond

 Bringing big creative dreams to life: Stephanie Guimond & Julia Dolowicz Harvey share their stories StephGarden DWYL

I’m an artist, a visionary and an avid left-brainer (read: I paint, dream big and I love spreadsheets). Doing what I love means:

a)      creating meaningful work and revenue related to art and creative expression, learning and growth, space and community or business and productivity,

b)      working with others to help them create their own meaningful work, and

c)      making sure my chosen work is part of a bigger picture, supporting the life I want to create overall.

At least that’s what it means today.

After spending nearly 10 years coveting the possibility of multiple income streams and fulfilling work, in October 2011 I took the leap and left my government 9-5 job to pursue something more meaningful. (Full disclosure: when I told my boss I was leaving she generously suggested that I take a one-year leave which I did, so technically as I write this I’m on leave.)

I loved several aspects of my job and tried hard to make the 9-5 work, but the desire to do something different kept coming back every few years, each time more pronounced. I could no longer ignore it. Months leading up to last year’s decision to leave became fraught with hemming and hawing to the point where I just had to choose one way or another: branch out on my own or stay.

So here I am, smack dab in the middle of my journey in creating work as a solopreneur.

Bringing big creative dreams to life: Stephanie Guimond & Julia Dolowicz Harvey share their stories BlueReflections DWYL1

‘Blue Reflections’

I’m in the space between, working on foundational projects and products that fuel me day in and day out, but I’m not yet bringing in revenue. It’s a place of possibility and hope intermingled with fear and doubt, of satisfaction at seeing things come together and frustration at wanting them to come together faster.

It’s a place of opportunity.

Today my biggest obstacle is fear of never having a substantial income again, but I see possibility in others making a good living doing what they love and that pushes me to not give up. Through small actions I try to move through this fear as gracefully as I can, regularly calling on the Universe for healthy doses of faith, patience and confidence in my ability to make it work.

I am grateful for the opportunity to create work tailored to my soul and life goals. The journey started years ago, but I feel like it’s just beginning. Here’s to seeing where it will lead…

[Profile shot taken by Jag. Other images courtesy of Stephanie Guimond.]

Find out more about Stephanie on her website.

Julia Dolowicz Harvey

Bringing big creative dreams to life: Stephanie Guimond & Julia Dolowicz Harvey share their stories jules9

‘Doing what I love’ is about creating the life I want to live. It is related to my work but it’s also connected to my environment, my home, marriage, friendships, family, animals, community, the planet and even my spirituality.  All of these are so important to me – I need to ‘do what I love’ in all of these areas. I need to be in tune with the very core of myself and honour what’s deep inside. There have been times when one area of my life is ok, the other fantastic and another abysmal; they all have a knock-on effect on each other. Happily I can now state that I am now doing ‘what I love’ because I am a Writer, Artist and Healer. This has led me to become an author, sell my art, teach workshops and offer reiki healing sessions.

In 2009 I was made redundant from my job at the University of Liverpool where I worked as a Career Development Manager – it was a good job that saw me travelling around the UK delivering workshops and presentations about how to create and develop your career, your life and your dreams.

I was gutted.

Having been at the university for 4 years, previously within the education team working with 16-19 year olds, I was always designing and delivering workshops and programmes. With a lecturing background, degree in Health, teaching certificate and counselling and NLP qualifications, it all worked beautifully.

It was only on being made redundant that I realised there was something missing. I was on auto pilot.

When I eventually finished work, synchronicity entered and family offered us a chance to move to France for a while. Two days after that phone call; an old colleague contacted me as she was moving back to Liverpool from Devon. Voila. We all house shifted.

Bringing big creative dreams to life: Stephanie Guimond & Julia Dolowicz Harvey share their stories Jules Collage

Spending 5 months in France, we all went, me, my husband and Lucy, my adorable Jack Russell (she got her passport too).  Here I immersed myself into my long-standing dream of becoming a writer and artist and I began to write my first book ‘Writing a UCAS personal statement in seven easy steps’. I started with subject matter of what I knew for sure, supported by my work history and background – writing expression statements to apply to university in the UK. I also reignited my passion for art and mixed media, buying a whole lot of art supplies from a lovely lady who was selling them to buy a motorbike. Once again, this sparked my sketching spirit, my love of colour, prisma pencils and paint. In my 5 lovely months, I practiced my French and living in the countryside. C’est moi!

Whilst in France, I began to create my cocoon art commissions for family and friends and I wrote, wrote, wrote, alongside developing my “ME mentoring” – where I support and mentor individuals who are suffering with M.E*/CFS* or Candidaisis, as well as career/lifestyle coaching. All of this I did over Skype.

*Myalgic Encephalomyelitis/chronic fatigue syndrome

Back home to Liverpool having pitched my proposal to a publisher just as I left France, I received ‘the email’ four weeks later to say they wanted to publish it!

I then set about continuing ‘to create the life I wanted to love and live’ back in Liverpool.   I began to build a portfolio of work and got a job as a careers coach at a local independent school and also worked in a health food shop – this was my bread and butter money, enabling me then to focus more on my writing and my art around it.

Currently, I work as an external marker for Liverpool John Moores University’s World of Work programme and am putting finishing touches to my second book ‘Creating your First Ever CV in 7 easy steps.’   In April, I will begin my 44 Wisdom Card Project, which will see me complete a set of 44 oracle cards, art work by me, with messages and wisdom inspired by others and written by me and I continue to create my commissions in my quirky cocoon style and have completed 12 in the last year.

Bringing big creative dreams to life: Stephanie Guimond & Julia Dolowicz Harvey share their stories Jules Collage 2

There is no doubt our style of life has changed – more so relating to money and expenditure as we are no longer earning a full time salary. Both me and my husband work for ourselves.  He used to work in Iraq as a close protection officer and he’s now a passionate earth warrior and keeper of the garden – he’s a gardener.  However having become more money aware I feel better off – with my life, my health and my creativity.

With hindsight, I wish I would have taken the leap and gone on some creative retreats sooner. Especially when I was working full time. If I had attended workshops even when I wasn’t ‘doing what I loved’, I would have nourished my creative soul.  I went to Portugal in May last year to do a ‘Flora Bowley, Bloom True’ workshop and I wish I had done it years before. It was so releasing.

I now realise that travel and removing yourself from your familiar environment really does get creative juices flowing.

Having my own mentor early on to focus my creative business would have been a good move, to help me plan things a little more. I didn’t have a marketing plan, and still need to develop this side of me.

My big dream is to have my third book published called Healing ME Healing You, all about how I healed myself from ME/CFS when I was in my 20s; have an exhibition of my 44 Wisdom Card Paintings at a wonderful venue in Liverpool; and to illustrate and publish my mum’s poetry. She’s 76 and a poet, now doing what she loves! Big dreams! But then you did ask.

[Images courtesy of Julia Dolowicz Harvey.]

To find out more about Julia visit her website]

Life as a designer-in-progress: Petra Kern’s story

Life as a designer-in-progress: Petra Kern's story DWYL BLOG SHAREDSTORIES 650X250PX LR

Today’s shared story comes from Slovenian designer Petra Kern.

 Petra Kern Portrait

I would say my story is very basic and simple. It really is. But as I look back I consider myself quite lucky that things came to me in exactly this order and in this shares. I was journalist for women and lifestyle magazines since I was 19. As a friend said the other day, “Those were the dreams of that life.« But to become pattern designer suddenly became the dream of the life I am living now, and for the future”.

Yes, I always loved art I always longed to make it but I really never had the courage to actually paint and share my things.  And I never really knew  that a profession such as textile designer or surface designer even existed!

We all know those little nagging voices inside of us: ‘There are so many better than you. Oh, how would you do the art, you do not, repeat do not, have any art education. So we really need another artist anyway … ?’ Luckily the other »do what you love« voices were louder.

One day in 2009 I went shopping and my eyes were caught on set of cheap sparkling markers for kids. With those I created my first patterns.

Life as a designer-in-progress: Petra Kern's story DWYL1

These were my very first patterns and they made me drunk with joy and happiness.

It felt so good, that one glorious day when I was still on maternity leave (in 2010)  I decided that I have to do this every day of my life or I am going to be very, very unfulfilled and miserable by the time I am eighty. Of course lots of fears came with my decision to do whatever it takes to live from my art and designs. I guess I can count myself lucky that every time I get down because of worries and self doubt those spirit-lifting voices suddenly appear with super strong power and scare those fears away for a  while.

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In two years my hand painted portfolio of patterns has grown, and I have tried every technique I’ve learned along the way.

I am still searching for my place in the world and right now I would describe myself as designer-in-progress who is ready to offer designs for licensing. I had to discover the whole new world of painting, mixed media, pattern design and computer skills in those two solid years.  Now is time to find people and companies that will license my designs.

Life as a designer-in-progress: Petra Kern's story DWYL3

In your own business you overcome a lot of laziness and self doubt. I got through them with new computer pattern designing skills. I am totally self taught.

The greatest lesson my new business is teaching me every day is that once you have your own business nothing is too hard. You suddenly find a great amount of will inside you and a giant hunger for knowledge. Suddenly your little world become so much bigger and when you look around yourself you find that you are among your people who also do what they love. And one more thing – since I am doing what I love I am a person who loves Mondays. For me they are a beginning of a five day creative process. Totally worth it!

[All images courtesy of Petra Kern.]

Find out more about Petra and her designs on her website, Etsy shop, or Zazzle shop, or connect on Facebook.

 

Stepping into my creative self: Stacy Chizuk shares her story

Stepping into my creative self: Stacy Chizuk shares her story DWYL BLOG SHAREDSTORIES 650X250PX LR
Today’s shared story comes from Stacy Chizuk who has a background in social work and a passion for photography.

Stepping into my creative self: Stacy Chizuk shares her story Photo One

Doing what I love is like unplugging from time. When I step into my creative self, I am not bogged down by thoughts of “to do” lists or haunted by plaguing “what-ifs” or the self-destructive “shoulds”. When I do what I love, that ticking clock in my head stops and a joy emerges that I often forget dwells in my soul.

Stepping into my creative self: Stacy Chizuk shares her story Photo Two

I picked up a camera when my first son was born six years ago and I never put it down. My Canon is always thrown around my neck, riding shot gun in my car or stuffed down inside my diaper bag. I started with a basic point and shoot and have gradually upgraded throughout the years. My grandfather was a photographer and on his deathbed five years ago he asked me to carry on the tradition of photographing the family. I agreed wholeheartedly. Growing up I never understood why he would take my sister’s and my photographs so often. We would groan and hide from his large Nikon lens, especially during those awkward pre-pubescent years (picture the 80’s hair coupled with heavy black eyeliner). Then after the birth of my first child I understood. I appreciated the desire to capture a moment of time. In capturing that moment I discovered the challenge to comprehend the magic and mathematics of the light, decipher the mechanics of the camera, and to gaze through the lens as if my own kaleidoscope into the world. I became addicted.

Stepping into my creative self: Stacy Chizuk shares her story Photo Three

I left the field of social work after giving birth to my first child. However, I still wanted to give back in some way without feeling I was losing myself in the giving. I had always loved writing since I was a child and taking the quote from a random postcard I purchased in one of those funky incense-smelling shops, I decided to “take the leap and build my wings on the way down” and I started a photography blog. My intention was to only post photos but it unfolded into a forum for me to write. I write for myself. I write to set free the incessant, sometimes humorous, sometimes solemn thoughts that camp inside my head. When I began to hear my authentic self in my words and see that self in my photographs, I discovered a feeling best described as a liminal moment. A liminal moment as described by author Rebecca Wells in her book Divine Secrets of the Ya Ya Sisterhood, “Those moments apart from time, when you are gripped, taken, when you are so fully absorbed in what you are doing that time ceases to exist.” So I began Liminal Moments Photography.

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Since starting my blog and a small photography business, I have been able to incorporate a piece of my social work self in photographing children in foster care that are looking for an adoptive family. Many of these children love the personal attention a photo shoot brings and they often are my favorite kids to capture!

Stepping into my creative self: Stacy Chizuk shares her story Photo

Their ability to smile and shine despite traumatic childhoods is inspirational. When I see my photographs of these children displayed in public arenas, I feel both excited because the photograph truly captures their spirit, yet heartbroken because the reality is their pictures are there because they need a family to love them. My goal in taking their photo is to capture their essence, their spirit, their love. If I can do that, then hopefully I will have helped them in some small part along their journey.

Stepping into my creative self: Stacy Chizuk shares her story Photo Five

Clarissa Pinkola Estes writes in her book Women Who Run With the Wolves, “a woman’s creative ability is her most valuable asset, for it gives outwardly and it feeds her inwardly at every level: psychic, spiritual, mental, emotive, and economic.”  When I hold my camera in my hands or free my words through my blog out into cyberspace, I feel as though my soul is being fed. I hope it touches others and helps to ignite their creative spark.

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[Images courtesy of Stacy Chizuk.]

To find out more about Stacy visit her website.

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Join us for The Art and Business of Surface Pattern Design, – next class starts in April!

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