ENTERPRISE + INITIATIVE Page 4 of 33

Do What You Love interview – Nic Bottomley

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Today we bring you an inspiring interview with Nic Bottomley – co-owner of Mr B’s Emporium of Reading Delights, an independent bookshop based in Bath that has twice been named UK Independent Bookshop of the Year. In a past life Nic was a capital markets lawyer but in a bid to do what he loves he gave it up to live and work in the world of books. Fast forward 11 years and Nic has never been happier as he continues to play his part in proving how precious well-stocked bookshops, run by enthusiastic and knowledgeable staff, are to our cultural life.

We caught up with Nic to find out what drove him to make such a major career change all those years ago and what life is like now as a successful independent bookseller…

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The cost of opportunity

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How are you experiencing the change of the seasons? Everyone seems to be going down with something – I hope you are staying well and enjoying the best that the seasonal shift has to offer.

Over here November has, as always, brought thoughts of clearing out the old and planning for the new. I spent most of Sunday setting up and running a stall at a nearly new baby stuff sale. It wasn’t quite what I expected.

Well the event itself was pretty much as I expected – lots of new parents and pregnant women jostling for bargains, and lots of other parents standing behind piles of clothes and toys.

But what I took away from the event was not what I expected at all. I expected to come away with a fair bit of cash, feeling good about passing on my children’s outgrown items to others, and inspired by all the mothers (and a few fathers) being enterprising with their Sunday afternoon. But actually I came away with about £50 (around $60) after expenses, and a niggling feeling that we too often misjudge (or don’t consider) the opportunity cost of the things we commit to, and I had done just that.

Let me rewind…

I love a good enterprise scheme. As a child I used to sell cakes out the front of my house to passing football supporters. One time I even dressed up as a little match girl, and walked around in Victorian costume selling matches to grown ups. So I was actually looking forward to having my own little shop at the baby fair. I did my research, and found out that people seemed to have the most success when small items when babygros etc were packaged up and labelled by size, and the stall had good signage. So, you guessed it, I spent few hours sorting all the bags of clothes in our attic, going through every drawer and cupboard in the house, followed by a couple of evenings surrounded by tiny clothes, sandwich bags, sticky labels and coloured pens.

Part of me loved doing this. But it was a slow process, because Mr K and I would keep holding up favourite cute outfits and reminisce about where our girls were, or what they were doing, when we last saw them wearing each one.

Then the day of the sale came, and I spent most of the day packing everything up, taking it to the sale, running the stall and then packing up again. My strategy worked – my ‘3 for 2’ on packaged items went like a dream and clothes were flying off my sale table.

I actually had one of the busiest stalls there, but even so, after expenses I only made a total of £50, not counting the cost of the table I bought to put the stuff on, my mum’s time ironing all the dresses, or fuel for my dad’s van to get us there. Not to mention the fact that by the time I got home I was absolutely shattered.

And guess what? While I was selling my wares, Mr K was in town with the girls and picked up a parking ticket. So actually, after about three days’ work, I had earned just about enough to pay for the coffee I’m drinking as I type this, and reflect on the real lesson.

The sale was not a good use of my time. In an attempt to pull back some of the ‘sunk cost‘ of money spent on all those baby clothes in times gone by, and to generate some ‘free money’ to go towards Christmas, what I actually did was knacker myself out and sacrifice precious family time.

It struck me how often we do this, especially when starting out with a creative venture. I think with most passions, there comes a point when we feel obliged to make some money out of it, in order to justify the time we are spending. And so we create a micro-venture, don’t really do the numbers, and end up investing a huge amount of time and energy into something that doesn’t really reap the reward we were expecting.

Of course, if it works, it’s wonderful, and this ‘trial’ micro-venture can become the seed of a valid long term business. But too often we deny the real ‘cost‘ of the ‘opportunity‘ at hand, and keep on pushing when actually we would be better of earning money elsewhere, and just relaxing into our passions without a concern for the financial return.

In my case, because the baby sale was outside of work and childcare and I did it mostly alone, it seemed to count as ‘me time’ when actually it felt very far from ‘me time’, and instead of being rejuvenating, was actually exhausting. I would have been better off spending an hour going through my bank account to find somewhere I could save £50, then spend a lovely weekend with my family, or doing something else I love, purely for fun. Please note: This is not me disapproving of second hand sales – if they work for you then go for it! Just be sure you are being honest about the real cost.

This week I challenge you to look at how you are spending your precious time and ask yourself whether you are being honest with yourself about the opportunity cost.

With each project, ask yourself what else you could be doing if you weren’t doing that. And map out the real time and money it is costing you, to see if that really is the best use of your resources. You might be surprised by the result!

When I did this, the decision was a no-brainer. All the leftover clothes went straight to charity and I’m planning to spend the whole of next weekend with my little family. What might you end up doing differently?

Have a good week!

Beth x

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Great escape: What’s going on?

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With 2017 on horizon, now is the perfect time to invest in yourself. Whether it’s learning a new skill, developing yourself personally or professionally, tapping into your creativity, hiring a coach, or taking a break before the Christmas festivities start, making time for yourself is a powerful thing to do.

Nurturing yourself and your dreams sends a strong message into the world: I’m listening to the voice of my soul. I’m willing to give myself the time, energy, and space I need to develop and grow. I want to be the best possible version of myself.

When you say yes to exciting new opportunities, doors start to open as if by magic. Just try it and see!

Whether your inner voice is calling you to start that business, take up yoga, write a book, or do a digital detox, here’s our pick of the best upcoming festivals, retreats, and events across the globe to take you a step closer to your dreams.

A BIT ON THE SIDE: START A BUSINESS AND KEEP YOUR JOB

When: TONIGHT! November 7, 2016 @ 6.30pm – 9.30pm

Where: Frederick’s Place, London, UK

Cost: £60

Organiser: Escape The City

More info & to book: https://blog.escapethecity.org/event/a-bit-on-the-side-start-a-business-and-keep-your-job-3/

Are you sitting on a business idea but don’t have the time, money or resources to start it? Are you curious about the new world of startups and freelance careers? You’re not alone in wanting to branch out and create something on your own. This workshop will give you tools, tricks and inspiration from those that have set up businesses whilst remaining in employment. It’s ideal for: anyone who wants to learn what small steps can help them to explore their business idea alongside their day job; community lovers who want to build a network; advice hunters and doers who want practical tips to help them get started. You’ll hear from people that have done it – both those that have transitioned into their startup full-time, and those still in full-time employment but running a business on the side. Most excitingly – you’ll get started on your business, right in the room, surrounded and encouraged by your fellow attendees!

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THE WRITER’S WORKSHOP 2016 

When: November 19 – 20, 2016

Where: The Royal College of Surgeons of England, London, UK

Price: £279

Organiser: Hay House Publishing

More info & to book: https://www.hayhouse.co.uk/lectures-events/writers-workshop-london-2016

Are you a writer with a great book idea and a strong desire to be published? Do you just need the inside scoop on how to perfect and publish your book? Then this is the workshop for you! This is your chance to publish a book with Hay House UK and become a bestselling author – one participant will be awarded a publishing contract with Hay House and a £5,000 advance! Join this special two-day workshop with some of Hay House’s finest speakers and authors – many of whom have firsthand knowledge of creating and writing bestselling books. Learn from Michelle Pilley, the Publisher and Managing Director of Hay House UK. She will offer key advice learned from her 30 years of successful publishing experience and expert knowledge of how to nail a publishing deal.

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THE HAPPY START UP SCHOOL CANVAS

When: November 22, 2016 @ 5pm – 7.30pm

Where: Wagner Hall, Brighton, UK

Price: £22 (+ £2.07 booking fee)

Organiser: Brighton & Hove Social Enterprise Network in partnership with The Happy Startup School

More info & to book: https://www.eventbrite.co.uk/e/startup-the-happy-startup-canvas-tickets-26284104464 

This inspiring workshop will help you to clarify if your idea is a social enterprise and support you, as budding social entrepreneur, to go from idea to action fast, and learn techniques for validating your idea with customers without the need for big budgets. It will give you the knowledge and tools to help you to tap into the growing trends that will affect how your business operates and start to bake happiness into your DNA.

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DIGITAL DETOX WEEKEND

When: December 8 – 11, 2016

Where: Finland

Cost: £1,159

Organiser: The Flash Pack

More info & to book: https://flashpack.com/adventure-trips/finland-digital-detox/

If you’d love to swap your mobile for a snowmobile and indulge yourself with a short and energising recharge ahead of the Christmas festivities, this digital detox weekend in Finland delivers. Designed for solo travellers or small groups of friends, it a chance to unwind by immersing yourself in Finnish culture, cuisine and adventure. For four days you can switch off from modern life and sink into the wonderful Finnish snowscape. Go trekking, skiing, husky sledding, ride a reindeer sleigh, relax in the sauna and spend evenings watching the Northern Lights or warming yourself by the fire in a cosy inn straight out of a Christmas card.

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OSHO WINTER FESTIVAL: LIVING FROM THE HEART

When: December 8 – 11, 2016

Where: Osho Leela, Dorset, UK 

Cost: from £129

Organiser: Osho Leela Community 

More info & to book: https://osholeela.uk/events/osho-winter-festival-2016/

Dive deep into the roots of your being and fly high on the wings of love and connection. This festival will warm your heart, heal you from the inside and expand your vision. It is a fun and nourishing celebration in beautiful countryside setting – perfect for winter rambles. Innovative and playful workshops include things like Shiatsu, singing, tantra, art, Biodanza, ageless vitality, discovering your inner child, self-enquiry and comedy. There’s also a full meditation programme including satsang with live music from band Satvaa, evening meetings, dance and live performances followed by an Osho video discourse.

THE INSTANT PAUSE

When: January 14, 2017

Where: Berlin, Germany

Cost: £140

Organiser: Life by Danielle

More info & to book: https://www.lifebydanielle.com/retreats/instant-pause/

In this one-day workshop, led by Nicola Moss, you’ll get time and space to think about you and your life and bring yourself back into balance. The Instant Pause workshop helps you look back to move forwards. You may be at a point of transition in your life; considering where to go next in your career, feeling burnt out from corporate life, or you may run your own business and are in need of some time and space to ensure you’re focusing on the right things. Your focus might be personal – life may be nudging you right now to stop and take a pause. Whether personal or career, this day away will create space for you to slow down, reflect and focus on what’s important.

WANDERLUST GREAT LAKE TAUPO

When: February 2-5, 2017

Where: Wairakei Geothermal Valley, Great Lake Taupo, New Zealand

Cost: $70 to $480

Organiser: Wanderlust

More info & to book: https://www.wanderlust.com

Unplug from the ordinary. Adventure awaits. Wanderlust Great Lake Taupo is an all-out celebration of mindful living. Bringing together a remarkable group of yoga and meditation instructors, musical performers, speakers, artists and chefs for a transformational retreat this is an experience that will get into your mind, body and soul. Regardless of what starts you on your path, Wanderlust is an experience that will leave you different than when you came – with new ideas, new friends, newly-discovered abilities, and greater peace. Find your true north.

ENVISION

When: February 23 – 26, 2017

Where: Uvita, Costa Rica

Cost: $298.00

Organiser: 

More info & to book: https://www.envisionfestival.com

Want to venture to new lands of self-discovery? This festival has one of the biggest line up lists, and a mixed bag of eco, spiritual, yoga and development courses and classes on its menu. A celebration dedicated to awakening our human potential, Envision provides a platform for different cultures to co-exist in sustainable community, and inspire one another through art, spirituality, yoga, music, dance, performance, education, sustainability and acknowledge our fundamental connection with nature. Definitely worthy of a trip!

BALI SPIRIT FESTIVAL

When: Mar 19 – Mar 26, 2017

Where: Ubud, Bali

Cost: Early Bird full pass: $575 until February 1, 2017

Organiser: Co-Founders Megan Pappenheim, Kadek Gunarta, and Robert Weber

More info & to book: https://balispiritfestival.com

Seated in the spot of Elizabeth’s Gilbert reinvention from Eat, Pray, Love, the Bali Spirit Festival is an energy-charged event that will be sure to spark your soul. From music, yoga, health and wellbeing to eco and social change it has all the elements you need to learn, grow and develop a holistic lifestyle. You’ll spend the days on lush terraced lawns with open pavilions, and at night the party moves to an outdoor stage for a world music concert like no other on Earth.

Disclaimer: We are not affiliates of or involved in the running of any of the suggested events. Please contact the organisers directly with any questions or queries.

Do What You Love interview – Will Bruton

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Twenty years from now you will be more disappointed by the things you didn’t do than by the ones you did do. So throw off the bowlines. Sail away from the safe harbor. Catch the trade winds in your sails. Explore. Dream. Discover. ~ Mark Twain

Today we chat to a man who swapped a career in UK politics for a life on the ocean wave.

Will Bruton is a freelance captain who specializes in running beautiful cruising yachts and organising sailing charters all over the world. In his free time, as well as exploring the many beautiful places he visits, Will provides political insight to the marine sector and dabbles in journalism as a regular contributor to Yachting Monthly and Sailing Today magazines.

Will has just moved to Japan where he is immersing himself in the culture, building his own location independent travel businesses and teaching English. It’s been a pleasure to speak to him and find out how he’s consciously, and continuously, steering his life in the direction of his dreams.  ~ Rachel

Will Bruton profile

1. Tell us a bit about your background…

I was born in London, but I grew up in rural Lancashire, both about as far from the sea as you can get. At school I struggled to apply myself. Fortunately, I went to a school where I was allowed (perhaps too much!) freedom to pursue constructive interests outside the classroom. Education is fundamental, in the broadest sense.

After my GCSEs I did some parachute jumps on a course run by the British Army. An opportunity available then to school leavers, but one that most had never heard of. A skydiving course in Spain followed the next summer. I met a few people that were living a legitimate long-term existence, whilst doing what they really wanted. That’s when I realised you could put something like ‘skydiver’ on your tax return. One guy I learned to skydive with, Sam Hardy, has gone on to be a professional BASE jumper. I look on in awe.

I was quite straightforward in my ambitions though for the next few years. Sandhurst and a commission in the Army was the plan until towards the end of university. I spent three months in Canada attached to a regular regiment. A brilliant experience riding around in the turret of a tank, but one that made me realise I wasn’t great in such a hierarchical organisation. I envy the relationships people in the army build though. Freelancing has some lonely moments.

I studied Politics at university. Whilst I had no ambitions in that direction career wise, the subject interested me. The humanities have taken a real hammering in recent years. We’re all supposed to be producing a reason for our existence in the system. Tangible proof of why we study a subject and an end goal.

I spent a year working in Westminster for one of the House of Common’s more colourful characters between my second and third years. It was an election year and proved particularly interesting. I saw my boss lose his job and mine in the process. Working in Westminster was a real privilege. There’s an electric atmosphere there when something big is happening.

Last year, in one of travel’s bizarre coincidences, I ran into Lembit Opik (my old boss) at Marrakech airport. I was there to run the half-marathon. We found an afternoon to catch up. The main topic of conversation was the madness of politics and the joys of self-employment.

2. What was the catalyst for changing careers? Why sailing?

Whilst looking for countless lobbying jobs I didn’t really want to do, I launched my own lobbying start-up, appropriately called Black Sheep. I’d built up a knowledge of some legislation whilst working at Westminster, so I wrote to the companies concerned by it and made a business out of trying to change it for them.

Lobbying has always been seen as some kind of dark art. In truth it’s about articulating an argument effectively. That business was all about capitalising on specialist knowledge to build a few very strong bridges. I didn’t have the manpower to write to every politician. It all gets put in the bin by the researcher anyway. I know, because I was one. I focussed on identifying a few natural advocates that didn’t need their arms twisting. There’s still great scope for that model of lobbying. However, I was in a suit too much, and my heart wasn’t in it for the long run.

It struck me sailing would be a great way to work and travel. A mechanism to the kind of slow travel I knew I most enjoyed. A gap-year in the traditional sense has never really appealed.

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3. What does training to become a skipper involve?

To earn money as skipper of a small yacht, the bare minimum is really a Yachtmaster certificate these days. You need to spend a lot of time on the water and have a solid grasp of sailing. How to manage crew is a big part of the job. As you move up it’s about managing an expensive asset and all that goes with it.

I took an intensive ‘CELTA’ sailing course on the south coast. I used to keep quiet about it because the old sailing guard seem to hate the idea that you can learn to sail in a few months. In reality, if you’re sailing every day in crap weather, you learn a lot more than someone sailing at the weekends in good weather for fun. I finished the course with a very cautious approach.

4. What was your first job after qualifying?

I was very conscious my qualifications needed bolstering with more experience, so I signed up with all the yacht delivery companies to help deliver boats. To begin with, for expenses only. That was tough, but a brilliant learning curve. After quite a few deliveries I got a summer job as a skipper for the now ubiquitous Yacht Week in Croatia. I learned a lot and the sailing in Croatia is fantastic.

5. What does your work involve these days? And how has your business as a freelancer grown and evolved?

My business comprises several things that dovetail reasonably with each other. All involve travel.

I have got to the stage with the sailing where I can comfortably freelance. That provides the most reliable income stream. However, it’s also the most professionalised work I do. There are some qualifications I have to keep in date and without experience I would quickly get rusty anyway. I take on interesting yacht deliveries, charters, and some short term projects for yacht owners. It’s great to get on a boat and apply myself to something so different for a couple of weeks.

In parallel, I’ve worked very hard at getting my writing published, which is finally starting to pay off. Fundamentally, I pitch to editors about what I want to write about- so my enthusiasm doesn’t really wane. To begin with I set myself a target of getting in the major yachting titles. I’m now doing more travel writing as well, with a focus on how a yacht is a mechanism to fulfilling travel.

Finally, I am starting to build a travel company. It’s a long term project with no public face as yet. Fundamentally, it’s about fulfilling travel fueled by deep local insight. Unparalleled experiences and immersion in a place.

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6. You specialise in sailing Oyster Yachts. What is it about them that captured your heart and where has life onboard them taken you?

Oysters are built in the UK, and whilst they are beautiful yachts, they are also built to cruise long distances. That in itself is a mechanism to meet interesting owners game for big adventures. Thirty-two Oysters are setting off on a circumnavigation together next year – I am hoping to join a couple I used to work for for a leg of the The Pacific. It’s also great to sail a British built yacht. It’s like a Bentley before people started painting them orange. A bit of an understated magic carpet.

Oyster yacht

7. What kind of clients do you work for?

All sorts. On charter, you’re essentially working for holiday guests who’ve hired the boat. When you’re sailing for the owner, it’s a little different. You also build a relationship you wouldn’t on a motor yacht. It’s first name terms in many cases.

One guy I worked for was a former bank chairman. Really not what I expected. On one charter I had two former professional football players, a journalist just off the plane from Syria, and a ski guide. It does vary enormously.

8. What have you been doing over the summer? Talk us through a typical day…

This summer I have been getting ready to move to Japan… so it’s been a bit different.

I spent a month taking a CETLA English teaching certificate, before getting some practice teaching at a language school in Brighton. Whilst I’ve no plans to teach for a living, I’ve set up a micro-business providing English language training to people in the marine industry trying to pass maritime exam papers set in English. Very niche. In Japan I’m going to teach couple of evenings a week to get me off of my laptop and meet some locals. I like learning new things.

Just before leaving Europe I sailed on a yacht to the UK from Palma as the First Mate, or Second in Command. It was great to not have all the responsibility of being skipper to be honest, particularly as the skipper had sailed round the world twice, so there was lots to talk about.

A conventional day on a long trip like that is a bit unusual. We work in shifts or watches, usually three hours on, then six hours off. A lot of keeping a yacht safe is pre-empting things that could go wrong, so we are constantly checking everything. A lot of time is spent trying to adjust the sails to make her go as fast as possible… eight miles an hour if we’re lucky!

On this trip we saw whales, dolphins and basking sharks in the Bay of Biscay. There were some spectacular sunsets and sunrises – fantastic time to think, take stock, and come up with the next plan. It’s a totally different rhythm.

On charter the pace is pretty mad and the days are very long. A great charter is a swan, effortless above the waterline, the crew frenetically paddling below. Two weeks is ideal as most guests with busy lifestyles take the first week to relax properly. The key is to have a loose plan that goes with what the wind wants to do, not that all guests come equipped with a capacity for loose planning!

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9. Life on the sea must be liberating, exhilarating, and at times, challenging. What big life lessons have you learnt along your journey to doing what you love?

Sailing lends unparalleled perspective on life. Ocean sailing in particular. The challenges and rewards are big. There are a lot of parallels with entrepreneurship and both are ultimately exercises in self-reliance.

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There’s an old expression gentlemen don’t sail to windward, which essentially means they don’t go against the natural forces acting against them, but there’s more to it than first appears. It’s not about giving up, it’s about working with what you’ve got. You can zig-zag into the wind and tide to get to your ultimate destination, but it’s pretty miserable. When one idea I am pursuing starts to stagnate, or I get writers block, I quickly change tack onto something else. It’s about making efficient gains in the long run. When there’s no wind sometimes I’ll just let the boat drift for a couple of hours. Have a swim!

Will Bruton swimming

10. You love writing; how are you pursuing your passion for journalism and what have been your biggest ‘proud ofs’ to date?

I’ve just written a piece for Yachting World, a magazine I never imagined being published in and really the leading voice in yachting. I wrote to the editor last year. To my great surprise, she invited me to Time Inc’s gargantuan office on the Southbank. That she took the time out to meet me for a coffee and give me her two cents on how to get into magazines meant the world at a time when I felt I was banging my head against a brick wall. Rejection is par for the course and you have to just keep submitting copy you believe in.

Will Bruton The world is my officeThe world is my office

Norah Ephron was a journalist, director and all round larger than life Hollywood character. Her son made a film about her recently. Her mantra ‘Everything Is Copy’ was the title. It kind of sums up the feeling of being compelled to write. Every nuance of life has the potential to be a good piece of writing. I’m quite self-conscious about what I put out there, but I do it anyway.

Will Bruton officeBelow deck: my office 

11. You’ve just moved out to Japan. What are you doing over there?

Japan has always been somewhere I have wanted to live for a while. My partner has just finished a Japanese degree, so the stars have aligned somewhat. I’m going to write a lot, do some sailing, and immerse myself in the country. I’m now about 70 per cent location independent, so being based here is fine.

The yachting market is expanding apace in Asia as well so I have trips planned to Singapore and Hong Kong.

12. What does the future hold for you? What’s the ultimate dream?

To carry on building location independent businesses conducive to long-term travel. In particular, slow travel. Immersing myself in countries and taking unusual routes between them is what I find most fulfilling.

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I’ve travelled at the sharp end of the plane and realised you’re still in a tube at 40,000ft breathing the same recycled air. I’ll happily take two weeks to sail from Southern Spain to the UK though. Dipping a toe into places has always been crap, you’ve got to get amongst it to really understand it.

The ultimate dream? I’m not sure. Perhaps sail, fly, and drive myself around the world?!

Will Bruton helicopter

13. Who is your biggest inspiration?

Difficult to say, but despite being clichéd, I’d say Richard Branson. He is proof you can create business, break records, and have enormous fun. He also works very hard, that’s the old fashioned bit cynics tend to forget. I’ve seen him kitesurfing early in the morning off Necker a couple of times.

14. What advice would you give anyone who isn’t doing what they love?

At the crux of it is how people think about work. You don’t have to 9-5 anymore. I’m in Japan now. The friend we’re staying with has recently ditched his salaryman job for flexible hours. He’s working from home with his two-year-old on his lap. If it’s possible to confront the status quo here, a lot more is possible in the west. Sideline businesses people do outside a regular job are often some of the most interesting.

15. Finally, is there a quote you try and live by?

Don’t grow up. It’s a trap.

Will Bruton sunset

To read more about Will’s extraordinary experiences visit his website. You can also contact him by email [email protected] or follow him on Twitter @WillBruton

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Wednesday Wellbeing

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“May the space between where I am and where I want to be inspire me.” ~ Tracee Ellis Ross

Yes… it’s that time of the week again – Happy Wednesday!

Friday is fast approaching but if you’re feeling the midweek blues you’re in the right place to be inspired!

Every Wednesday for the next few weeks, a member of the Do What You Love team will be sharing what they’re up to and what is motivating them at the moment. We hope their thoughts get you thinking about what lights you up and how you can make get more of this into your life…

Today founder Beth Kempton talks about making dreams happen…

I have just got back from the USA where I spoke at ‘I Am… Courage – New York City’. I shared the stage with five amazing women who lit up the room with their tales of brave and truthful living.

The six of us actually created that event from nothing – we met at a workshop several months before and decided we had a common message, which we wanted to spread widely. When the event was over, and we had been showered with incredible feedback from the audience, we went to dinner and just sat there looking at each other, grinning. In that moment we realised that we just made something awesome happen, simply by committing to it, setting a date, and then doing the work needed to pull it off. And then we all showed up and spoke honestly and openly, and it resonated deeply with those in attendance.

It taught me that we don’t need other people’s permission to do amazing things. We can make them happen ourselves, especially when we have the support of others like us, committed to a common goal.

BK at I Am Courage NYC

My thought of the week: When you’re stuck in a mid-week slump, remind yourself that you have all the power you need to lift yourself out. You just need to commit, and then follow through. You are the owner of your dreams and you can make them real!

Do What You Love interview – Hazel Cushion

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When Hazel Cushion gave birth to triplets in the late 1990s she wondered how there would ever be room for anything else in her life. Back then she’d never have imagined that her babies would become the impetus for her to launch a successful publishing business from her bedroom.

Hazel started Accent Press in 2003 when Julia, Felicity and Richard were just five-years-old. With husband Bob working abroad, Hazel was effectively a single mother who needed to do something for herself, that was family-friendly and that would bring in some cash. So, after completing her MA in Creative Writing at Trinity College, Carmarthen, she decided to become a publisher. “As part of the course I learnt how to put a book together, and I was hooked,” Hazel explains. “I’d never set up a company before, so I asked the Welsh Assembly for business advice and applied for a £5,000 business loan.” 

Hazel decided big names sell so she began by asking well-known authors to donate stories for a book to raise cash for breast cancer – and raise awareness of her new company. The plan worked like a dream and best selling romantic novelist Katie Fford was among those who agreed to donate stories. Next Hazel rang WHSmith and said she had a book coming out to support breast cancer called Sexy Shorts for Christmas and they immediately put it in their top 300. “That was very, very unusual,” Hazel recalls. “I just happened to get the right person on the right day and that was how it all started.”

13 years on and Accent Press is an award-winning independent publisher which employs ten staff and turns over more than £1m. Earlier this year Hazel also opened a vibrant new bookshop, café and wine bar in the heart of Cardiff Bay’s creative quarter. Now Hazel is keen to inspire other mums to find the courage and confidence to go it alone. ~ Rachel

Hazel Cushion (2)

1. How are you doing what you love?

My work involves making people’s dreams come true by publishing their books – that has to be the best part of my job. I also love the variety – from meeting new people, marketing, creating covers etc. Every day is different and there are always new things to discover and learn.

2. What’s your background? Talk us through your journey to the point of setting up Accent Press…

My previous career involved managing shops on cruise ships, running a charity in Dubai, working in recruitment and having a wine business in the South of France. It was all very varied but it helped me develop a wide range of skills which have been very useful in setting up Accent Press. I think if we harvest our history we can usually find a wealth of experiences that help build our businesses.

3. What was motivating you?

I have always had lots of energy and love learning new things. Initially I was motivated by money – I needed a business I could work around my children but I quickly became addicted to overcoming the challenges and discovering I loved running my own business. It was the freedom to be innovative and try new things unfettered by corporate policy etc. I made loads of mistakes but I view each one as a learning opportunity, not a failure.

4. Once you had your idea, how did you bring it to life? What were the very first steps you took?

I started the company in my front bedroom but quickly rented a tiny office in an industrial unit and hired my first staff member. This was key to our rapid growth – she was a very bright young lady and came up with lots of good ideas. She learned quickly how to handle the production side of the business and freed me up to sell and network. I joined the Independent Publishers Guild and found this an amazing help and resource.

5. When you started your business your triplets were still young and your husband was working abroad. How did you find the time?

Certainly in the early days it was always a juggling act but that is why my first employee was so important. She could man the office while I took the kids to school and then collected them in the afternoon. I would then spend time with them, cook tea and we’d have time together before they went to bed. They did have a very early bedtime however! Once they were asleep I would work for several hours.

6. How did running a business from home enable you to better juggle the responsibilities of being a mum and the demands of work?

When we outgrew the tiny office we then bought a house that was big enough for the family and the business. Working from home had some great benefits – if the kids were ill we were already home etc but it also made it very hard to switch off. I would work all day, every day and then go back in the evening after supper. There wasn’t much worklife balance but the benefit was that the kids saw just how much effort went into building the business. They have really learned from that and all seem to be focused about achieving their own personal goals.

Hazel Cushion at workDoing what she loves: Hazel at work

7. As the saying goes: ‘Nothing worth having comes easy’. What sacrifices have you had to make in order to grow such a successful business? And how do you feel about these now, looking back?

I sacrificed a social life for many years and that did get quite lonely. I’m now enjoying being able to step away slightly, follow my own interests and meet new friends. Money was always tight too as we constantly reinvested in the business but you reap what you sow and that pressure has now eased.

8. Your kids are all grown up now. What do they think about what you do and what valuable lessons have they learnt from your work/work ethic?

I think the kids have learned a great deal from seeing me run the business. They all have a good work ethic but probably, the most important lesson is seeing me pick myself up after something has gone wrong. It’s shown them that making mistakes or something failing shouldn’t be seen as a disaster but as a learning opportunity. That has given them a level of confidence that it took me half a lifetime to develop.

9. Why do you think so many women lose themselves a little bit when they become a mum? What’s your advice to them?

I used to deeply resent being referred to as ‘the triplets’ mother’! We do get defined by our kids and it is easy to lose your identity. One tip I used was to write down key skills and career achievements from my pre-baby days. It was a useful reminder some days and became something I enjoyed adding new things to as the business grew.

with triplets

10. Describe your life now. Talk us through a typical day…

This year my life has changed dramatically as I’ve started two new businesses. The first is a self-publishing division of Accent Press called Octavo Book Publishing & Marketing Services. The other is Octavo, a book shop, café and wine bar in a beautiful old Georgian pub in Cardiff Bay. The area is home to upmarket residents and office workers and it’s a real creative hub. There was a real gap in the market for a book café so I seized the opportunity. Octavo is a wonderful place to promote and sell Accent authors and also, through running writing workshops and book groups, a place to attract new customers to our Octavo publishing services.

Hazel Cushion, founder of Octavo's

My day involves overseeing all three companies but I will usually start my day at the café. It’s a great place for meetings and we also have a lot of events there. I love checking the book sales and ordering in new titles and stock for the shop. Then I’ll head up to our main offices where I employ twenty staff. These include managers, editors, designers and sales and marketing. We’ll have meeting about new titles, cover designs etc and I’ll also be working on other aspects of the business. I then usually go back to the café for the last hour or two before it shuts at 7pm.

Octavo founder Hazel Cushion with prize hamper after winning Bookshop of the MonthHazel with a prize hamper after Octavo won Bookshop of the Month

11. What passion projects are you currently working on?

There’s the possibility of a TV series using a similar format to The Great British Bake Off but for writers. The ultimate prize will be a publishing deal – I’m hoping that comes off as I think it would really appeal to both readers and writers.

12. What is it you are looking for when a manuscript lands on your desk?

The key is that it must hook the reader in very quickly. I have the attention span of a tea bag so am a great test for this. If I don’t read beyond page three then I’m afraid it’s rejected.

13. What have been your biggest highlights in the last year or two?

I think growing the company so I now have a structured management team. I have been able to step away slightly and let them move the company forward. For so many years I was the one trying to make it all happen that it is great to see how they work together, their commitment and pride in the business. Not only have my kids grown up but my business has too!

Business Awards - Hazel centreAfter winning Best Small Business at the Merthyr Tydfil Business Awards, Wales, UK (Hazel in centre)

14. What’s your ultimate dream?

I love helping other women and would like to develop a business network to empower entrepreneurs. I like talking about my journey and the fact that you can run a business without MBA’s or formal training. In fact, I’m the proud owner of an ungraded Maths O’level and I am dyslexic – these are things that have helped me learn to overcome challenges and I’d like to help others to do that too.

15. What advice would you give mums who want to do what they love but aren’t sure what that means to them in their life, or how to go about it?

Just do it. This isn’t a practice run at life and you never get that hour, day or week back. Do your research, asks lots of questions, write a business plan but ultimately – just do it!

For more information about Hazel visit the Accent Press websiteYou can also check out ‘How to Be a Million Pound Mum’ Hazel’s inspirational business audiobook series aimed at mothers who dream of running their own business HERE.

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How to make it in the world of… food

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Ever dream of bottling and selling your grandma’s legendary hot and spicy sauce or mass-producing your own Mexican burritos? Well food is big business and one man who has first-hand experience of turning his passion for food into a career is Patrick Drake, Co-Founder and Head Chef of HelloFresh, the UK’s largest recipe box delivery service.

Patrick’s greatest passions are food, teaching and helping people get the most out of life which is why he also presents on Discovery, National Geographic and Fox TV and has created the world’s fastest cooking course www.the60secondchef.com.

Having carved out a colourful culinary career that allows him to do all the things he loves on a daily basis we asked hime to dish up the secrets of his success…

Patrick Drake profile

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The Simple Trick To Productivity? Do One Thing At Once

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This is a guest post by one of the UK’s leading experts in digital distraction and digital detox, Frances Booth, author of The Distraction Trap: How to Focus in a Digital World, A Writer For All Seasons, and more productivity tips. Find out more about her here.

The Simple Trick To Productivity? Do One Thing At Once frances1

Here’s a work scenario most of us are familiar with …

You’ve just settled down to the task you’re doing, when someone interrupts you and asks you to do something else instead.

So, you switch tasks and put aside whatever it was you were doing.

But how much has switching your attention in this way just cost you in terms of lost productivity?

Research shows that switch-tasking – where we switch from one task to another – is extremely bad for productivity.

Yet many of us switch-task for large parts of every day. (We often think of this as multitasking, though what happens is we’re actually switching rapidly between tasks.)

It’s not just other people who interrupt us. We also interrupt ourselves. We get distracted, or we let a new demand – that comes in via email, for example – to throw us off course.

‘Multitasking’ has become a way of life for many of us. Yet it’s sapping our productivity.

We toggle all day between emails and a piece of work we’re doing. Or we check our smartphone all the time, switching task frequently to read and reply to messages.

We like to think we can do two things at once.

We do this to such an extent that media multitasking has become the norm.

Often, we multitask because it feels like we’re being more productive. But this is not the case.

Evidence shows that multitasking saps productivity and can leave us exhausted.

When we switch from one task to another, we use “goal shifting” to decide to do one thing instead of another, and we use “role activation” to change the rules for the previous task to the rules of the new task, researchers have found.

Both of these processes cost us time.

While there might be relatively small switch costs for just one switch of task, if we start to switch repeatedly back and forth, the costs add up.

In fact, the costs are huge. Switching between tasks can cost you as much as 40% of your productive time, according to expert David Meyer.

So if we ‘multitask’ or rather switch-task as our standard mode of working we’re missing a very important productivity trick.

If you want to become instantly more productive, do one thing at once.

It sounds simpler than it is. To do this, we need to develop our skills of mental focus, learn strategies to avoid distraction, and find ways to cut down on interruptions by other people.

However, for the productivity boost it gives us, it’s worth a bit of work to achieve.

So rather than spending the day multitasking, try boosting your productivity by doing one thing at a time.

Do What You Love interview – Duncan Titmarsh

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Today we speak to a man who has, quite possibly, the best job ever… Lego artist.

Duncan Titmarsh’s passion for designing and building Lego sculptures turned from a hobby to a commercial reality in 2008 when he became the only person in Britain to be officially recognised as a Lego Certified Professional by the famous Danish toy company.

From there Duncan made the decision to make his dream a reality and start his own business, Bright Bricks, which creates giant custom Lego structures. It has an impressive client portfolio, from Stella McCartney who commissioned a life-size tiger cub to a Phillips commissioned a giant toothbrush for a new product launch. We caught up with Duncan to find out how it feels to play with Lego for a living…

UK's only Lego Certified Professional Duncan Titmarsh

1. How did you end up in one of the most coveted jobs in the world?

I remember getting my first Lego set at the age of four and building throughout my childhood. I also won a Lego building competition when I was 11.

I stopped playing with Lego in my teenage years as I joined the Royal Air Force and went on to work in the building trade. However when my daughters started playing with Lego it rekindled my interest. In 1992 I remember walking through the toy section in Woolworths with my wife and stopping to look at the  Lego. I told her how I spent hours playing with Lego as a child and she suggested that I buy a new set, so I did. I got so into it that I went and found my old  Lego sets in my parent’s loft and I just kept building from there.

On a trip to Legoland, I met with other adult fans and became involved with The Brickish Association. Then one day I was invited to BBC Radio 4 to create a reconstruction of the Today programme’s studio. Following that I was called by someone and asked to build their building and that’s how my business began.

2. How did you become a certified Lego professional?

To become a Lego certified professional, you must have a business already. I didn’t know about the scheme when I first started Bright Bricks from my garden shed. I only found out because I built a big old yellow castle, a Lego set from 1978. I made the castle following the original instructions but I built each brick six times bigger. The people at Lego saw that and asked if they could have it at their Lego Idea House Museum in Denmark. So I went over there and found out about the programme, and I applied from there.

It’s every boy’s dream to play and work with Lego for the rest of their life – I love it.

3. As Founding Director of Bright Bricks, what does your role involve?

I was on my own at first, but now I have 30 staff. We spend our days building amazing sculptures from  Lego bricks, running Lego building workshops in schools and creating custom mosaics.We also do trade shows and build on the trade stand. It’s now a full-time business based in our large workshop in Hampshire, UK.

Lego Duncan Titmarsh CNBCDuncan with CNBC’s Louisa Bojesen – and her custom mosaic

A typical day starts with me checking my emails. I then go and see how the builds are coming along in the workshop I also deal with enquiries and schedule work. Primarily my time is spent dealing with clients and doing events. I also go out to schools a lot to speak to children about what we do. I really enjoy that part of my job.

I love working on new product launches, coming up with original promotional ideas and overcoming the challenges that building complex models brings but we also have pressures just like any other business, like getting everything done, staying ahead of the game and meeting tight deadlines.

Rolls Royce LEGO Trent 1000 Jet engineA Lego engine for Rolls Royce

4. What are the best bits, and the worst bits, about what you do?

The best bit is standing back and looking a finished build and then seeing a client’s reaction to it. We also love putting a model into a public space and watching people’s reactions to it. The worst bit is the moment you realise a build is going to take way longer than you initially thought.

5. How do you take an idea from concept to reality? Can you talk us through the creative process of bringing a Lego design to life?

The design depends on the model. If it is a building then we will scale it and work out the dimensions and calculate the number of bricks we will need. When they are delivered, we get cracking. If we are building an animal we tend to use software to design it on. This then gives us a layer by layer plan of the build. Quite often we build around a steel frame as it makes the model easier to move, plus it covers us for all aspects of health and safety.

6. Tell us about your current projects…

We are currently building a mosaic for the new library in Slough, UK, which is due to open at the beginning of September. I can’t share details of our other projects because I’m bound by client confidentiality.

7. What have been your most memorable LEGO projects to work on to date?

We were especially proud of the world-record breaking 12-metre-tall Christmas Tree which went into St Pancras train station in 2011.

Lego Christmas Tree Duncan TitmarshBalancing act: placing the star on the top of our Lego Christmas tree, St Pancras station

Some of our other projects include: a room-sized replica of Wembley Stadium; the James May Toy Story life-size house; a huge model of the London Olympic Park; a full-sized caravan for a show at Birmingham’s NEC; a giant train for Christmas in Covent Garden; a Scooby-Doo for Warner Bros to launch a new Lego set; Star Wars figures for The Force Awakens, a series of Lego London Underground maps showing how the Tube network has evolved over time and how it will look in 2020; plus many privately-commissioned portraits.

Scooby Doo LEGO - Duncan TitmarshScooby-Doo for Warner Bros

8. What’s the biggest, most complicated and most expensive design that you’ve ever been commissioned to create? 

It’s actually a project we’ve just finished working on for Jaguar Land Rover which has set a new world record! It is a contemporary model of Tower Bridge to promote a new vehicle launch. The model is 40m long and the towers are 12 meters tall making it the largest LEGO model ever! It’s completely white, contains approximately 5.75 million bricks and has been built by a team of 20 staff who have worked on the project for two months. The big reveal will happen in a private location but afterwards Jaguar Land Rover will use the model in various locations.

9. If you had an unlimited supply of bricks and no time constraints, what would you build?

I’ve always wanted to build a full size London bus.

10. How many bricks do you use a month and what’s your favourite Lego element?

As a company, we usually order around a million bricks a month from Denmark. I like the 1 x 2 stud brick best; with that one size you can build almost anything.

TARDIS1-2Life-size Dr Who Tardis

11. Why is Lego still as popular as ever?

I think Lego has stood the test of time because it is so versatile and such a wonderful form of creative expression: the only limit is your imagination. Plus there’s that satisfying click when you fit bricks together. For anyone who wants to stretch their creative muscles I suggest thinking outside the box and trying something that you wouldn’t necessarily know how to build.

12. How does one become a Master Builder? What advice would you give someone who wants to turn their passion for Lego into a career?

Practise! If you don’t have lots of bricks don’t worry about colour; you’re looking to create the right shape so practise building curves from square bricks.

When hiring people, we look at their work ethic mainly, we choose people who are hardworking and committed, and those with an eye for detail.

For more information about Duncan and his Lego work visit the Bright Bricks website.   

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Do What You Love interview – Helen Stephens

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Helen Stephens calls herself an ‘authorstrator’: an author who writes with pictures and adds words in where needed.

HELENportraitdrawingHelen drawing

Helen has been creating children’s books for over 17 years and she is known for her bright, instantly recognisable illustrations.

As well as illustrating for authors like Michael Morpurgo, Cécile Aubry, Sophie Hannah, Holly Webb and Roger McGough, Helen writes her own stories. These include FleabagThe Night Iceberg, The Big Adventures of the Smalls, the Betsy toddler series, and How to Hide a Lion, which has sold in 14 languages, been nominated for The Kate Greenaway Medal and The Redhouse Book Awards and won the Prix Livrentete. It is now being developed for stage at The Polka Theatre in Wimbledon, where it will be shown this Christmas.

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How to Hide a Lion seriesThe most recent additions to Helen’s ever-expanding portfolio include Baby I Love You, Gracie Grabbit and the Tiger, How to Hide a Lion from Grandma, and released earlier this September, How to Hide a Lion at School. We’re delighted to talk to Helen to find out more about how she’s living a truly creative life doing what she loves. ~ Rachel

helenstephensbabyiloveyouUnicefBaby I Love You

1. How are you doing what you love?

I write and illustrate picture books, I draw live for huge crowds of children at book festivals, and to relax I walk my dog Peggy on the beach. For me, this is the ideal job.

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2. When did you realise that you wanted to spend your life drawing?

When I was about four years old, I announced to my parents that I was going to go to art school. I never wavered from that certainty, it’s all I wanted to do. When I was nineteen I got a place at Glasgow School of Art, where I decided to study illustration.

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Image from How to Hide a Lion at School

3. How did you turn your dream into reality? 

When I left art school I was lost for a while. I had my ‘people’ at art school, I felt I belonged. It was a huge shock to leave, I didn’t know what I was going to do, how I was going to make a living, it was a very difficult time. All I knew for certain was that I wanted to draw for a living. So I took tiny steps, one at a time, hoping I was heading in the right direction. I moved to London, where the big publishers were, and got a part time job in a bookshop to pay the rent. I took on small illustration jobs when they came along, and turned down offers of full-time work in the bookshop because I knew that would hold me back.

howtohidealionatschool1Image from How to Hide a Lion at School

Bit by bit I found my way, one illustration job led to another, and another, and another. One day I was visiting a publisher to talk about illustrating a book, when they asked if I would write my own text, so I did! I’ve been happily writing and illustrating picture books ever since.

howtohidealionatschool3Image from How to Hide a Lion at School

4. What have been your biggest highlights and ‘proud-ofs’ since then?

I am proud that I stuck at it in those early days and ignored all the knock backs and difficult times. I am also proud that I still make time to draw for fun. Sketchbook drawing is hugely valuable, and often leads to new book ideas.

Helen Stephens & FamilyHelen and Gerry with daughter, Frieda. Photo by Kristy Noble and styled by Hannah Bullivant

5. Your partner, Gerry Turley is also an illustrator. How does your art influence your way of life together?

I met Gerry at Glasgow Art School, where we were both studying illustration and our workspaces were side by side. We still share a studio space now. I like having Gerry around, we are used to each other’s habits and it works really well.

Helen Stephens & FamilyHelen and Gerry work together in their home studio. Photo by Kristy Noble and styled by Hannah Bullivant

In terms of how we live, we are lucky to work from home. We shake off deadline stress by walking on the beach every day with our dog Peggy and we collect all sorts of sea treasures. We use old sun bleached plastic fishing crates as plant pots, we collect wood for the fire, and we have recently started to collect sea-worn red house bricks which we’ll use to make a garden path.

Helen Stephens & Family

Studio space. Photo by Kristy Noble and styled by Hannah Bullivant

We have a rule: if we need anything for the house we either make it, or buy it second hand. Gerry studied Natural History Illustration, and he has always liked natural forms and materials. I love colour and vintage furniture, so our house is a big mix of both of these influences.

Helen Stephens & FamilyHelen’s hallway 

6. You love a story and that’s partly what drew you to your house in Berwick-Upon-Tweed, Northumberland. What’s the history behind it?

Our home looks like a child’s drawing of a house, a door in the middle and a window in each corner. There are four main rooms, two up, two down. When the house was built each room housed a fishing family, they each had a range to cook on and a shared toilet in the back yard. In the 1960’s the fishing flats were converted into a house and an extension was built.

Helen Stephens & FamilyHeart of the home: Helen’s lounge with wood burning stove

When we moved into the house six years ago it was very sad and neglected, we are gradually bringing it back to life. We are opening up all old fireplaces, taking the 1970’s panels off the doors to reveal the original victorian ones underneath. The thing that has changed the house most, and given it a real heart, was putting in a wood burning stove, the whole house feels warmer. One of my favourite features is the victorian privy (outside toilet), so useful in the summer when we have lots of visitors.

There is also an old outbuilding in the garden that we will eventually convert into a studio space. At the moment we share a workroom in the house. We like sharing a space, but we are bursting at the seams!

sketchbookathelen'sdeskHelen’s desk. Photo by Kristy Noble and styled by Hannah Bullivant

7. Talk us through a typical day in your life…

We get up, eat some breakfast together, then one of us takes our little girl to school, while the other starts work. We are both usually at our desks by 9.15am (ignoring any housework jobs, those wait until the evening). The six hours Frieda is at school are extremely precious work time, we try to squeeze all of our work into those hours. Later we pick up Frieda, and take our dog, Peggy, to the beach for her daily run, then one of us goes back to work while the other prepares a meal. That is pretty much our usual day.

If one of us is promoting a book, we might be away from home for a few days, visiting schools or book festivals, but we try to do this as a family as much as we can. We also travel to research new books, we went to Venice and Switzerland recently, Frieda comes with us and we get huge enjoyment out of these family drawing trips.

thefamily-byfriedaThe family by Frieda

8. Where do you find your inspiration for new stories and characters? And how do you keep on top of all your thoughts and ideas?

I like to draw from life as much as I can. I keep sketchbooks where I write notes and ideas. We also collect books on our travels, and vintage picture books. They are a huge source of inspiration.

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Work in progress: Helen’s sketchbooks (above and below)

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9. Talk us through the process of illustrating a book; how does it go from an idea in your head to a finished work of art on sale in bookstores?

It usually takes about nine months to develop an idea into a book:

  • It starts with an idea, often this might be an image, or a character name, or just a title.
  • I sketch out a plot using thumbnail sketches, refining the idea on each new draft.
  • Then make a mini dummy book to check that the page turns are in the right place. I might do this 5 or 6 times, until everything is just right.
  • Next I make full sized rough drawings.
  • After the publisher has given me their thoughts, I start the artwork. I like to make a kind of ‘nest’ at my desk, Peggy at my feet, art materials all around me, podcasts on my headphones. I hibernate a bit while I do the artwork, only taking Frieda to school, and Peggy for her walk. It usually takes about four months.
  • Then, when the book is published I visit lots of schools and book festivals where I become social again, meeting lots of children and being generally being silly.

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Image from Helen’s book, The Night Iceberg

10. Why is it vital to be courageous and true to yourself if you want to succeed as an artist?

In the early days of being published I found I was taking advice from art directors, and altering my work to suit what they were asking for. After a while I felt my work was no longer my own. It didn’t look like the work I did in my sketchbooks, or at art school, and it didn’t feel authentic anymore. So I took a year out and went back to drawing in sketchbooks. It felt like a big risk because my published work was successful, and I didn’t know whether publishers would still want to publish me if my work changed. But they did, and I feel very happy that I took that risk. The books I have done since that period have become my most successful books. I think if you are feeling happy and inspired, and are true to yourself, it shows in the work.

11. What are you working on at the moment?

I have lots of pots on the boil. A Christmas book, a book of Fairy Tales, another in the How to Hide a Lion series, a book about naughty kittens, and a longer novel. I’ve never written for older children before, so this will be a challenge. But I like a challenge, I always like to take on new projects that are unlike stuff I’ve done before, it’s exciting, I get a kick out of learning new stuff.

I am also a big fan of Instagram and try to post every day (I am ‘helenstephenslion’). It feels like the ideal social media for me. I like how you can arrange your feed, a bit like creating a picture book: A close up, then a long shot, then maybe a dark picture followed by a light one… But I do get tired of all the posed pictures of perfect lives, and I try to show my messy work space just as it is, toilet rolls (for dabbing wet brushes) and all. I also like to show some of my work process, rough drawings, dummy books and sketchbooks. I like all that behind the scenes stuff.

12. What do the words ‘creativity’, ‘success’ and ‘freedom’ mean to you?

All good words! If you love doing something, you should make it your job. I have found that living on my creativity alone has been hugely rewarding, I have been able to carve out a ‘Helen’ shaped job. I feel very lucky.

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Older work: Pages from Poochie-poo – Helen’s funny and charming story about two doggie friends who constantly try to impress each other

13. What’s your ultimate dream?

I’d like exactly what I have now, but with a bigger work space. Oh, if we are talking ULTIMATE dreams, I might have a second home in London so that I have somewhere to stay when I’m visiting my publishers or having a city top-up. Oh, and what about some sort of magic potion that stops Peggy rolling in smelly dead things on the beach?

COVERfleabag

Cover of Fleabag

14. What careers’ advice will you give your daughter, Frieda, as she grows up?

To do what she loves, whatever that is. She might not be an artist, she once told us she was going to be a doctor, and we’d have to make an appointment if we wanted to see her!

Find out more about Helen and her work on her website or connect on Instagram.

Credited images were taken by Kirsty Noble (website and Instagram) and styled by Hannah Bullivant (website and Instagram).

Do you dream of illustrating a children’s book?

Would you love to create a make-believe world with characters that you’ve designed? Do you love the magic of children’s books and feel that you have something to offer? Well we can help!

Through our collaboration with Make Art That Sells, we are running an amazing course in Illustrating children’s Books co-taught by top art agent Lilla Rogers and highly-respected children’s book art director Zoe Tucker. In just five weeks you’ll create a brilliant children’s book pitch to help you land your dream children’s book gig. You’ll get over 20 videos, weekly assignments, live weekly video reviews, and inspiring interviews with publishers and illustrators. Plus Helen Stephenson shares more information about her books and we sneak a peek at her diary to see exactly what it’s like to live a life you love.

Our step-by-step course is supportive, fun and engaging and it will give you all the tools, insight, and advice you need to succeed. Class begins on Monday, October 2 and runs until Thursday, November 6, 2017. For more information and to secure your spot, click here.